Ludwig Berger

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(1893) Giuseppe Verdi: Premiere of Falstaff, in Milan, Italy.
(1940) Bohuslav Martinů: Premiere of the double concert for 2 string orchestras, piano and percussion, in Basel, Switzerland.
(1980) Mauricio Kagel: Premiere of Die Erschöpfung der Welt, in Stuttgart, Germany.
(1992) Wolfgang Rihm: Premiere of Die Eroberung von Mexiko, in Hamburg, Germany.
(1993) Peter Wallin: First performances of "Good Eeeevening!!!" and "Dägä Dägä" (version for 2 female soloists). Text by M.A. Numminen (Dägä).

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Sheet music for Berger

[details ←] Ein Kind geborn zu Bethlehem (A babe is born in Bethlehem), choral, vocal,
[details ←] Zwei der Seraphim, choral, vocal,
[details ←] Bach: Choralsatze 1, 21 Kirchenlieder in vierstimmigen Satzen, choral, vocal,
[details ←] Bach: Choralsatze 2, 20 Kirchenlieder in vierstimmigen Satzen, choral, vocal,
[details ←] Berger: Acht Chorsatze
[details ←] Berger: O Heiland, reiss die Himmel auf; Jansen: Gott, heilger Schopfer
[details ←] Berger; Kurig: Frohlich wir nun all fangen an; Werner: Freut euch; Kurig: Nun jauchzet; Singet dem Herrn
[details ←] Ehre sei Gott in der Hohe (Glory to God in the highest), choral, vocal,
[details ←] Fullt mit Schalle jubelnd die Halle, choral, vocal,
[details ←] Herzlich lieb hab ich dich, o Herr (Tender love have I for thee, Lord), choral, vocal,
[details ←] Im Abendrot, choral, vocal,
[details ←] Jauchz, Erd und Himmel, choral, vocal,
[details ←] Mozart: Drei Chorsatze, choral, vocal,
[details ←] Sonne der Gerechtigkeit, choral, vocal,
[details ←] Uns ist ein Kind geboren, choral, vocal,
[details ←] Zwei Choralmotetten zu 4 Stimmen (Ducis)
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Only Opera CD You’ll Ever Need
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The Golden Age of Singing, Vol. 4; 1930-1950
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See also:
Romantic composers
Born: 18 April 1777 — Berlin — Prussia
Died: 16 February 1838 — Berlin — Prussia
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Music

Songs, cantatas, unfinished operas and piano music including 27 Etudes, 8 sonatas (2 unpublished). Of these Op. 18 is interesting in that it consists of 3 movements (15 pages), and is entirely based on the notes - c,b,c,e,d,c. Also interesting is his Op. 7 sonata, which resembles Beethoven’s sonata Pathétique.

Life

He was noticed and admired by Clementi in 1804, who took him to St. Petersburg. There he was much influenced by John Field. He was in London from 1812 to 1815 when he returned to Berlin, where he stayed until his death. His pupils included Mendelssohn, Henselt, Taubert and A.G. Ritter.

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