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[details ←] Operatic Anthology - Volume 2
, voice (Mezzo-Soprano, Alto) and piano,
[details ←] Hymn Preludes (30) Volume 3
Organ,
[details ←] Hymn Preludes (30) Volume 2
Organ,
[details ←] Hymn Preludes (30) Volume 1
Organ,
[details ←] Schemelli Song Book (Leipzig 1736) Complete
Piano, Vocal, Harpsichord,
[details ←] Georg Philipp Telemann: Trio Sonata in C Minor for Recorder, Oboe and Piano
, recorder (in C or in F), oboe (or Violin or Viola de gamba), piano accompaniment and cello (optional; ad lib basso continuo),
[details ←] Bedrich Smetana: Trio, Op. 15
, violin, cello and piano,
[details ←] Richard Strauss: Till Eulenspiegel einmal anders!, Op. 28
, violin (also used for conductor), clarinet, french horn, bassoon and bass,
[details ←] Carl Flesch: Scale System
, violin,
[details ←] Ferdinand Beyer: Preparatory School
, piano,
[details ←] William R. Brophy: Technical Studies for Solving Problems on the Horn
, horn in F (French Horn),
[details ←] Johann Sebastian Bach: Die Kunst der Fuge (The Art of the Fugue)
, solo piano (harpsichord),
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Composers who also play the piano and as such performed their own or other composer's compositions.
Composers with a family relationship to Wolfgang Amadeus Mozart.
Romanticism was characterised by idealising the expression of the emotions of the composer. The notion of the suffering artist stems form this period. The romantic era starts around 1800, and goes on some way into the twentieth century. In the first half of the twentieth century the ever more complex romantic music competed with the new forms and sound of the then modernistic composers.
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