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[details ←] The Tomas Cruz Conga Method, Volume III
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[details ←] Pictures at an Exhibition, Part II - full score
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[details ←] Polonaise in A-flat, Op. 53 [arrangement in C] - conductor’s score
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[details ←] Pictures at an Exhibition - complete - full score
Percussion,
[details ←] Pictures at an Exhibition - complete - set of parts
Percussion,
[details ←] Pictures at an Exhibition, Part II - set of parts
Percussion,
[details ←] Polonaise in A-flat, Op. 53 [arrangement in C] - set of parts
Percussion, Saxophone, Drums, , sax, saxophone,
[details ←] Three Songs of Chopin - full score
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[details ←] Three Songs of Chopin - set of parts
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[details ←] Sinfonia for 15 Wind Instruments
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[details ←] Schemelli Song Book (Leipzig 1736) Complete
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Romanticism was characterised by idealising the expression of the emotions of the composer. The notion of the suffering artist stems form this period. The romantic era starts around 1800, and goes on some way into the twentieth century. In the first half of the twentieth century the ever more complex romantic music competed with the new forms and sound of the then modernistic composers.
Composers that were born in Spain, or gained the Spanish nationality.
Composers who also play the piano and as such performed their own or other composer's compositions.
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