Romantic composers.


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Sat 7 Nov: EL NUEVO MUNDO. 17th & 18th-Century Spain and the Colonial Latin Americas. Cathedral of Saint John the Divine, New York, USA
Sat 7 Nov: Jack Curtis Dubowsky Ensemble Concert Trinity Chapel, Berkeley, CA, USA
Sat 7 Nov: Concerto per la beata Vergine SATB choir, oboe New York City Church of the Hole Trinity, New York, USA
Sun 8 Nov: EL NUEVO MUNDO. 17th & 18th-Century Spain and the Colonial Latin Americas. Cathedral of Saint John the Divine, New York, USA
Sun 8 Nov: An Audience With Hackney Singers St. Johns At Hackney, Hackney, England
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Today → (8 Nov) rss

Birthdays:
Dying days:
Events:
(1962) Humphrey Searle: Premiere of Symphony no. 4, in Birmingham, England.
(1966) Wladimir Vogel: Premiere of Die Flucht, in Zürich, Switzerland.
(1979) Wolfgang Rihm: Premiere of Erste Abgesangsszene für Orchester, in Kassel, Germany.
(1991) Hans-Jürgen von Bose: Premiere of Ein Brudermord, in Stuttgart, Germany.

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Boaz Avni (31 Oct)
Piet Rippen (26 Oct)
Jacob Obrecht (26 Oct)
José Marín (23 Oct)

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[details ←] An Irish Melody (The Londonderry Air) - full score , orchestra,

[details ←] Fingal’s Cave (The Hebrides) Overture, Op. 26 - full score , percussion,

[details ←] An Irish Melody (The Londonderry Air) - set of parts , orchestra,

[details ←] The Bohemian Girl: I dreamt I dwelt in marble halls (E-flat) - full score , percussion,

[details ←] Moy Mell (The Happy Plain) (score) , piano,

[details ←] Three Pieces [collection] (score) , piano,

[details ←] Adagio nach Keltischen Melodien, Op. 56 Adagio on Celtic Melodies - solo part , cello,

[details ←] Two Compositions, Op. 54 (score) , piano,

[details ←] Irish Rhapsody - full score , percussion, harp,

[details ←] Concerto for Violin in D minor - solo part , violin, percussion,

[details ←] Fingal’s Cave Overture, Op. 26 (set with condensed score) , concert band,

[details ←] Schottische Fantasie, Op. 46 - solo part , violin, percussion, harp,

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Romanticism was characterised by idealising the expression of the emotions of the composer. The notion of the suffering artist stems form this period. The romantic era starts around 1800, and goes on some way into the twentieth century. In the first half of the twentieth century the ever more complex romantic music competed with the new forms and sound of the then modernistic composers.


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© 1995–2009 Jos Smeets — Quixote; Last update: Sat Nov 7 20:47:21 2009.