Mia Zabelka

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Born: 1963 — Wien — Austria
Died:
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Austrian composer, laureate of the “Voya Toncitch Prize” International Piano Composition Contest in Paris, in 1987. According to Mr. Toncitch “Mia Zabelka in her work entitled Vexierspiele (cycle of four pieces) confides to the piano with technical skill, subtlety and contrivance four stanzas of her intense hermetic poetry and its lyric, dramatic and exclamatory accents.” Mr. Toncitch has recorded Miss Zabelka’s work in Germany, for Radio Bremen on March 31st, 1988.

Jean-François Grancher

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© 1995–2013 Jos Smeets — Quixote; Last update: 2005-10-04 11:06:55.
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Dutilleux dead at 97 posted 23 May 2013
Britten trail opened posted 3 Apr 2013
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Upcoming concerts →

Sat 1 Jun: Action Painting: The Edges of Sound Baruch Performing Arts Center
Sat 8 Jun: Symphony No 5 St Johns, Smith Sq, London, SW1P 3HA
Fri 14 Jun: Day of Wrath "The Revelation"- concert in Bucharest Cinema Patria, Bulevardul Magheru 12-14, Bucuresti, Romania
Sat 15 Jun: A North East Choral Garland The Ave, Washington, Tyne and Wear NE38 7LE
Sat 15 Jun: Viva Vivaldi! Bristol Cathedral College Green Bristol
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Today → (24 May) rss

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Events:
(1803) Ludwig van Beethoven: Premiere of violin sonata in A major op. 47 “Kreutzer Sonata”, in Vienna, Austria, with Beethoven at the piano.
(1833) Heinrich Marschner: Premiere of Hans Heiling, in Berlin, Germany.
(1873) Léo Delibes: Premiere of Le Roi l'a Dit, in Paris, France.
(1906) Frederick Delius: Premiere of Sea Drift, in Essen, Germany.
(1918) Béla Bartók: Premiere of Duke Bluebeard's Castle op. 11, in Budapest, Hungary.

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Karl Davydov (16 May)

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Books for Zabelka

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At a Distance: Precursors to Art and Activism on the Internet (Leonardo Book Series)

from: The MIT Press

Books : At a Distance: Precursors to Art and Activism on the Internet (Leonardo Book Series)

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Binding: Hardcover
EAN: 9780262033282
ISBN: 0262033283
Item Dimensions: 90270124598
Label: The MIT Press
Languages: EnglishUnknownEnglishOriginal LanguageEnglishPublished
Manufacturer: The MIT Press
Number Of Items: 1
Number Of Pages: 496
Publication Date: February 18, 2005
Publisher: The MIT Press
Studio: The MIT Press




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Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance -- geographical, temporal, or emotional -- theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work -- showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns -- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice.At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the "art object," combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art "re-viewing" their work -- including experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis.





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