Lili Wieruszowski


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Philip Glass gets commission from NYC Opera 30 Sep 2008
Mauricio Kagel dies in Cologne at 76 19 Sep 2008
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Upcoming concerts →

– Wed 15 Oct: Iron Rain Finlandia Hall, Helsinki, Finland
– Wed 15 Oct: Opera For Piano Mannes College of Music, Manhattan, New York City, USA
– Thu 16 Oct: thingNY does Berio Secret Project Robot, Brooklyn, NY (USA)
– Thu 16 Oct: Outsound and The Luggage Store Gallery New Music Series Luggage Store Gallery, San Francisco, CA, USA
– Fri 17 Oct: 23rd Annual Concert of Sacred Choral Music Cathedral of the Holy Angels, Gary, Indiana, USA
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Today → (13 Oct)

Birthdays:
Moritz Hauptmann
Elisabeth Kuyper
Peter van Anrooy
Enrique de Marchena
Dying days:
Louis Ferdinand Prince von Preußen
Rudolf Mengelberg
Arthur Vincent Lourié
Rebecca Clarke
Events:
– (1836) Adolphe-Charles Adam: Premiere of Le Postillon de Longjumeau, in Paris, France.
– (1908) Max Reger: Premiere of violin concerto in A major op. 101, in Leipzig, Germany.
– (1917) Modest Moussorgsky: Premiere of Sorochintsy Fair, in St. Petersburg, Russia.
– (1968) Gustaf Allan Pettersson: Premiere of Symphony no. 7, in Stockholm, Sweden.
– (1982) Leonard Bernstein: Premiere of Candide (new version), in New York, USA.

Tomorrow →

Latest changes →

Sergio Fidemraizer (10 Oct)
Giovanni Giovenale Ancina (9 Oct)
Jan Adams (Johann Adam) Reinken (8 Oct)
Richard Englefield (8 Oct)
John Arrigo-Nelson (8 Oct)
Arthur Butterworth (8 Oct)
George Butterworth (8 Oct)
Luís Carvalho (8 Oct)
Thomas Alexandrovich de Hartmann (2 Oct)
Josef Antonín Gurecký (2 Oct)

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Sheet music for Wieruszowski



[details ←] Singt mit froher Stimm

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Born: 1899 — Köln — Germany
Died: 1970 — ? — Germany
→ See also: German composers | Modern composers | Female composers |
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Music


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Life

Born in Cologne, Germany, Wieruszowski studied at the Conservatory there and also at the Hochschule für Musik in Berlin. In the preface to her Choralvorspiele für Orgel, Verkündigung 1, she writes: "These Chorale Preludes are meant above all to serve the congregation. The author selected for these settings mainly tunes for which there were no existing organ pieces in the literature, or only pieces in which the original Rythm was not maintained... The congregation should be able to join in singing after the Chorale Prelude, no differently than as if the organ had just played the first verse."

Wieruszowski’s modesty in relegating these chorale preludes to hymn-introduction status belies their simple beauty and elegance. True, the cantus firmus always appears cleanly, without rhythmic or melodic alteration. But the balance and shapeliness of the counterpoint around it give each piece refined grace.

Several collections of Wieruszowski’s chorale preludes were published by Schott in London, Foetisch in Lausanne, Krompholz in Bern, and Zwingli in Zürich in the 1940’s and 50’s, but have since gone out of print.

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