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Aleksey Nikolayevitch Verstovsky
Aleksey Nikolayevitch | Verstovsky |
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Composition list
Opera and lyrical music
Instrumental music
Symphonic music
Sacred music
Vocal music
Compositions sorted on opus (if available)
incomplet
Sheet music for Aleksey Nikolayevitch Verstovsky
Fasten Seat Belts — Aleksey Igudesman
— listening CD — Classical
By Aleksey Igudesman. By Aleksey Igudesman. Country of Origin: Germany. Classical. Listening CD. Published by Naxos (NX.OR0024).
Price: $18.00
Impromptu Romantic (for 3 guitars) — Aleksey Rohoza
Guitar — — 21st Century,Classical Period
Composed by Aleksey Rohoza. Arranged by Aleksey Rohoza. 21st Century, Classical Period. 5 pages. Published by Eugene Egorov (S0.643643).
Price: $1.00
Horoscope Preludes — Aleksey Igudesman
violin, piano — score and part(s) —
12 Easy to Intermediate Pieces for Violin and Piano. Composed by Aleksey Igudesman. Score and part(s). With Standard notation. 70 pages. Universal Edition #UE035926. Published by Universal Edition (PR.UE035926).
Price: $28.00
Sonata No.1: Bastard Sonata — Aleksey Igudesman
violin, piano — score and part(s) —
Composed by Aleksey Igudesman. Score and part(s). With Standard notation. Universal Edition #UE034379. Published by Universal Edition (PR.UE034379).
Price: $23.00
Sonata No.2 — Aleksey Igudesman
violin, piano — score and part(s) —
Composed by Aleksey Igudesman. Score and part(s). With Standard notation. Universal Edition #UE034380. Published by Universal Edition (PR.UE034380).
Price: $32.00
Sonata No. 3 — Aleksey Igudesman
violin, piano — score and part(s) —
For violin And Piano. Composed by Aleksey Igudesman. Violin with Piano. Score and part(s). With Standard notation. Composed 2003. 33 pages. Universal Edition #UE034381. Published by Universal Edition (PR.UE034381).
Price: $32.00
Artyomov: Sola Fide; Tempo Costante — Aleksey Martinov
— — Classical
By Aleksey Martinov, Elmira Kugusheva, Inna Polianskaya, Kaunas State Choir, Mikhail Lanskoi, Moscow Academic State Philharmonic Orchestra, and Moscow Chamber Orchestra 'Musica Viva'. By Vyacheslav Artyomov. Classical, Orchestral. Classical. Naxos #DDA25164. Published by Naxos (NX.DDA25164).
Price: $17.00
Romantic.Brilliant.Imaginative — Aleksey Semenenko
— — Classical
By Aleksey Semenenko and Inna Firsova. By Pjotr Iljitsch Tschaikowski, Nicolo Paganini (1782-1840), Franz Schubert (1797-1828), Edvard Grieg (1843-1907), and Mario Castelnuovo-Tedesco (1895-1968). Classical. Ars Produktion #ARS38242. Published by Ars Produktion (NX.ARS38242).
Price: $19.00
David DiChiera: Letters & Fantasies — Aleksey Shadrin
— CD — Classical
By Aleksey Shadrin, Angela Theis, Annalise Dzwonczyk, Berthold Brauer, Ivan Moshchuk, Matthew Konopacki, and Yury Revich. By David DiChiera. Classical. CD. Innova #INN979. Published by Innova (NX.INN979).
Price: $14.00
French Treasures — Aleksey Semenenko
— CD — Classical
By Aleksey Semenenko and Inna Firsova. By Camille Saint-Saens (1835-1921), Ernest Chausson (1855-1899), Claude Debussy (1862-1918), Francis Poulenc (1899-1963), Jascha Heifetz, and Eugene Ysaye (1858-1931). Classical. CD. Ars Produktion #ARS38544. Published by Ars Produktion (NX.ARS38544).
Price: $18.00
Verstovsky wrote numerous songs to the words of many famous poets, which he knew personally. He was also a prolific composer of vaudevilles, a genre which he helped to its popularity. More important are his six opera’s, which include his masterpiece Askold’s Grave. This is a romantic opera with spoken dialogue on a subject from Russia’s history. It received its first performance in 1835, a year before Glinka’s A Life for the Tsar. The influence of Weber’s Freischütz (first Russian performance in 1824), although obvious, is often exaggerated. Askold’s Grave had about 600 performances in Tsarist Russia, not counting the provincial theatres. It even reached New York in 1869, as the first Russian opera performed in the United States. The part of the Unknown was one of Fyodor Shalyapin’s big successes. Indeed, he made his debut as an 18-year old (1891) in this role.
Askold’s Grave has been recorded recently (CSN 810015).
Sources:
My main sources, besides the usual handbooks, were
Keldysh, Yu. V., Istoriya Russkoy Muzyki, 1948. Tom 1, p. 345-368.
O.E. Levasheva in , Istoriya Russkoy Muzyki ed. by N.V. Tumanina, 1957. Tom 1, p. 216-234.
G. Abraham, The Operas of Alexei Verstovsky, 19-th Century Music, 7(1983) no. 3, 326-335.
M. Shcherbakova, Introduction to piano score of Askold’s Grave, 1983.
Bibliography:
Dobrokhotov, B., A.N. Verstovsky, Zhizn’, Teatral’naya Deyatelnost’, Opernoye Tvorchestvo, Moscow/Leningrad, 1949 (not available to me).
(His birth and death dates on the Julian calender are 1 March 1799 and 17 September 1862.)
Introduction
Verstovsky was the composer of Askold’s Grave, the most popular Russian opera of the nineteenth century.
Life
Aleksey Verstovsky was born as son of a wealthy landowner, who employed his own orchestra. Already as a child he was very keen on music and after his family moved to Ufa in 1808, he was able to take lessons. In 1816 he went to St. Petersburg to study engineering, which he practised for a few years as a civil servant. However, he did continue taking music lessons (one of his teachers was John Field) and in 1819 he made a succesful debut as a composer of theatre music. In 1823 he moved to Moscow, were he served in the office of governor-general D.V. Golytsyn. Two years later Verstovsky was appointed inspector of the Moscow theatres, of which he became director in 1848. He served in this function till his retirement in 1860, always busy composing works for the theatre. Verstovsky’s works were often performed and had a stronger influence on following generations of Russian composers than they cared to admit.