Luigi Verdi

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Grétry work rediscovered posted 6 Jan 2012
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Sun 12 Feb: IN DEEP SILENCE II Kasteel Cortewalle, Beveren, België
Tue 14 Feb: MEDEA for music theatre Stadsschouwburg, Leidseplein 26, Amsterdam, Nederland
Thu 16 Feb: MEDEA for music theatre NTGent, Sint Baafsplein 17, Gent, België
Sat 18 Feb: Centenary celebration Yvre l'Eveque, Le Mans, France
Sat 18 Feb: 2012 Nico Castel International Master Singer Competition Carnegie Hall 881 7th Ave New York
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(1867) Jacques Offenbach: Premiere of La Grande Duchesse de Gérolstein, in Paris, France.
(1924) George (Jacob) Gershwin: Premiere of Rhapsody in Blue, in New York, USA, with Gershwin at the piano.

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Ján Cikker (10 Feb)
Eugen Suchoň (10 Feb)
Eda Rapoport (8 Feb)

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Sheet music for Verdi

[details ←] Richter-Ware Adult Organ Course, organ,
[details ←] Program Solos For Bassoon, piano, bassoon,
[details ←] Rigoletto Fantasia da concerto (Clarinet / Piano), clarinet, piano,
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Italian composers
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Born: 24 November 1958 — Roma — Italy
Died:
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Music

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Life

Luigi Verdi was born in Rome, he studied in Bologna, Pesaro and Milan and he graduated in Composition, Instrumentation, Choir and Orchestra Conducting. He also has a degree in Philosophy at the University of Bologna. He teaches Harmony, Counterpoint, Fugue and Composition at the "Antonio Buzzolla" Conservatoire of Adria (Italy). He works intensively as a composer, a musicologist and an orchestra conductor. As a composer, he is explicitly connected with the musical language of the first half of the 20th century, and particularly with the Slavic avant-garde, revisited in Mediterranean terms, with frequent reference to popular music; his compositions are often performed during international and national festivals and concert events.

His many musicological writings include articles, monographic essays, volumes, among which Aleksandr Skrjabin tra musica e filosofia (Firenze 1990), and Kandinskij e Skrjabin: realtà e utopia nella Russia pre-rivoluzionaria (Lucca 1996), particularly dealing with the relations between music and painting ; his treatise of musical theory Organizzazione delle altezze nello spazio temperato (Treviso 1998) deals with the study of the various combinatorial possibilities of sounds according to a systematic approach.

In Caleidocicli musicali. simmetrie infrante dei suoni (2006) he develops the concept of a musical kaleidocycle, as result of a vertical musical structure changing into a horizontal. He used kaleidocycles for composing works based on a unique chord incessantly and continuously transformed, that connects with others according to prearranged transposition levels.

(Contribution by <luciyo(at)hotmail.com>.)

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