Amílcar Vasques Dias


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Upcoming concerts →

– Sat 26 Jul: Koorconcert, Tiramisu zomerkoor Lutherse Kerk, Maastricht, Netherlands
– Sun 27 Jul: Lines and Waves in Blue Deep for 5 accordions (wp) Tenri Cultural Institute, New York, USA
– Mon 28 Jul: Trio Stravinskij: contaminations from jazz, music-hall, cabaret and American folklore Astronomical Observatory, Loiano, Italy
– Tue 29 Jul: Trio Stravinskij: contaminations from jazz, music-hall, cabaret and American folklore Church in Piazza Giovanni XIII, Tolè di Vergato, Italy
– Wed 30 Jul: First performance of the Quintet for clarinet and strings Congress Centre, Davos, Switzerland
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Composer news →

Fitkin to be Composer in Residence in London 16 Jun 2008
Composer Hay finds back score after 35 years 30 May 2008
Sibelius plaque unveiled in Berlin 24 Apr 2008
Lost Bach composition found back 22 Apr 2008
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Today → (25 Jul)

Birthdays:
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Jacob Vejslev
Ian Venables
Glenn Wonacott
Dmitri Smolski
Dying days:
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Daniël Ruyneman
Isaak Dunayevsky
Events:

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Pierre Even (18 Jul)
Clara Schumann (17 Jul)
Barney Childs (17 Jul)
István Anhalt (17 Jul)
Lowell Dijkstra (17 Jul)
Lisa Ragsdale (17 Jul)
Amy Scurria (16 Jul)
Diana Rotaru (16 Jul)
Benedictus Buns (16 Jul)
Johannes Brahms (15 Jul)

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Picture of Amílcar Vasques Dias.
(sent by Ricardo Andrade)

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Born: 7 March 1945 — Badim (Monção) — Portugal
Died:
→ See also: Portuguese composers | Modern composers |
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Music


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Life

Born in Badim (Monção) on 7 March, 1945. Studied piano (diploma 1974) and composition at the Music Conservatories of Oporto and Braga. In Holland, where he lived from 1974 to 1988, he took the higher composition course (instrumental and electoacoustic) at the Royal Conservatory of The Hague. He followed courses in electroacoustic music at the Computer Music Centre of the University of Columbia (NY). He has attended courses and workshops with Emmanuel Nunes, Karlheinz Stockhausen and Iannis Xenakis. He is currently Professor of Composition in the Department of Arts of the University of Évora. In S. Miguel de Machede (Alentejo), where he lives in isolation, in communion with nature, he spoke of his artistic activity in the following terms:

“My way of playing piano, of composing, has to do with a particular attitude which is no longer a “classical” attitude, but a mixture of different attitudes which relate to different musical genres. (…) But the root — the strength of the contours of plainchant, of simplicity, of austerity, of the unison, of the non-polyphonic — is always there. The romantic component of my sensibility, inheritance from another system of learning, strongly harmonic — of a full, rich harmony — became gradually increasingly rarefied. (…) The total silence of the place where I lived contributed to this, the nakedness, the spareness of the landscape… a certain way, imbued with silence, of understanding things. (…) I have a filmic way of composing. When composing, I work with images; normally, intuitively, instinctively.”

[Amílcar Vasques Dias, July 2003]

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