Julius Schmidt


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Fri 21 Nov: Houston Civic Symphony Concert Houston Baptist University, Morris Cultural Arts Center, Houston, Texas, USA
Sun 23 Nov: Cantata 140, Suite No.3, Magnificat Whitehall Church, Dublin, Ireland
Thu 27 Nov: Der fliegende Holländer Brabican, London, UK
Sat 29 Nov: Beethoven Missa Solemnis Colston Hall, Bristol, UK
Thu 4 Dec: Yo Yo Ma premieres new Fitkin piece Liverpool Philharmonic Hall, Liverpool, England
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(1827) Gaetano Donizetti: Premiere of Viva la Mamma, in Naples, Italy.
(1831) Giacomo Meyerbeer: Premiere of Robert le Diable, in Paris, France.
(1901) Richard Strauss: Premiere of Feuersnot, in Dresden, Germany.
(1937) Dmitri Dmitrievich Shostakovich: Premiere of Symphony no. 5 in c minor op. 47, in St. Petersburg, Russia.

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Born: 29 March 1975 — Arlington Heights, Illinois — USA
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Life

Julius Schmidt writes:

“I was improvising on the piano as far back as my memories go, and so my mother began sending me to piano lessons when I was three years old. I started learning the violin at seven, and played violin and viola in several different orchestras in my youth. I began taking clarinet lessons when I was ten, playing the Mozart Concerto in a local competition by age thirteen, and played in several bands and also an orchestra as a teenager. Since nineteen, though, all of my energy has gone into piano and composition.

I began writing down compositions (I found it very hard, because I was used to improvising, and it required a completely different way of writing music) when I was sixteen, and spent many years learning the craft. My writing gets better as compositions are written, and I hope it always will. I have had several pieces performed (quite sporadically), and some of them were prepared into wave files using a computer to play them (I think they sound horrid this way, yet many people have begged me for copies of the CDs, and I know quite a few people who listen to it all the time).

I have a CD of improvisations that was recorded in 2006 (home variety using a Fostex MR-8) that has had much more popularity than I ever thought it would, and copies are currently in circulation (privately, not commercially) in th USA, England, Scotland, South Africa, and other places.”

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