Antonio Salieri


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(1827) Gaetano Donizetti: Premiere of Viva la Mamma, in Naples, Italy.
(1831) Giacomo Meyerbeer: Premiere of Robert le Diable, in Paris, France.
(1901) Richard Strauss: Premiere of Feuersnot, in Dresden, Germany.
(1937) Dmitri Dmitrievich Shostakovich: Premiere of Symphony no. 5 in c minor op. 47, in St. Petersburg, Russia.

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John Hebden (19 Nov)
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Sheet music for Salieri




[details ←] Concerto, piano, oboe, flute,

[details ←] Lass alles, was du hast, viola, horn, violin, piano, double bass, oboe, trumpet, french horn, percussion, vocal, cello, flute, bassoon, , choral, vocal,

[details ←] 26 Variazioni sulla Follia di Spagna, violin, piano,

[details ←] Mass No.1 (Hofkapellmeister-Messe), organ, percussion, , choral, vocal,

[details ←] Requiem, organ, percussion, , choral, vocal,

[details ←] A Lenten Prayer, organ, , choral, vocal,

[details ←] Variations(La Follia)

[details ←] Tre Cadenze Per I Concerti, piano,

[details ←] Sanctus (from Mass in D), choral, vocal,

[details ←] Coronation Te Deum, organ, percussion, , choral, vocal,

[details ←] La Grotta di Trofonio Sinfonia (Piccioli) - full score, percussion,

[details ←] La Grotta di Trofonio Sinfonia (Piccioli) - set of parts, percussion,

[details ←] Prima la Musica, Poi le Parole, vocal,

[details ←] Prima la musica e poi le parole, piano, vocal,

[details ←] Symphony 19, Full Score

[details ←] Chimes (SA) Secular Trb, trombone, , choral, vocal,

[details ←] Contredanse String Insert String Orchestra, orchestra,

[details ←] Little Harlequinade

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Diana Damrau - Arie di Bravura (Mozart, Salieri, Righini Opera Arias)
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Salieri: Symphonies, Overtures
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Cecilia Bartoli - The Salieri Album
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Salieri: Overtures
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See also:
map iconSalieri MusicAtlas
Italian composers
Classical era composers
Born: 18 August 1750 — Legnago — Italy
Died: 7 May 1825 — Vienna — Austria
Reactions

Great

I have been buying positively everything of Salieri's I can find for 20 years now, and believe me until very recently it hasn't been easy.

Anyone wanting to know about this under appreciated man should read "Maligned Master: The Real Story Of Antonio Salieri", by Volkmar Braunbehrens. He also wrote "Mozart In Vienna", from which much of "Amadeus" was taken. He wrote in the forward that he felt that Salieri's reputation had been so unfairly tarnished by "Amadeus", he reserached and wrote this 1994 book for and about him. I highly recommend it.

One of those recordings I managed to find in the late 80's was of La Follia di Spagna. It was a 1978 recording of it (and the Symphony "Il Giorno Mastico") conducted by Zoltan Pesco with I believe the London Symphony. If ANYONE knows if I can find it on CD please post. It's the best recording of this piece by far, and I have a few of them.

And, if there is a God, someone will do DECENT recording of Axur re Dormus before I die!

[by “Anonymous” on 2009-08-20 18:36:47]
Eino Nuffin

I'm surprised so many arrogant bumptious twits have sufficient intellectual capcity to enjoy great music.

[by “Anonymous” on 2009-07-30 07:27:53]
Ahhhh Salieri !!

Salieri is music's greatest victim of character assassination. He wrote wonderful music and from all verifiable historical accounts he was a wonderful person. He had no reason to be jealous of anyone because in his prime he was THE composer of his time. It was only a nasty rumour about murdering Mozart that ruined the poor man's reputation and memory. He in fact promoted and conducted many of Mozart's compositions before and after Mozart's death. After Mozart died Salieri, as the head of a charity that helped widows of musicians, helped Mozart's widow survive until she remarried. He also taught music to one of Mozart's sons free of charge. He was not a jealous scheming individual, he was a kind, compassionate musical genius.

[by “Anonymous” on 2009-06-08 17:57:14]
to TiberiaClaudia

You spelled "Hayden" wrong....it's really "Haydn"

[by “Anonymous” on 2009-03-21 16:13:15]
TiberiaClaudia

Crude language and not fitting of any great composer's site.

Salieri and Mozart did not hate one another. They even co-wrote music together on an occasion. They were competitors but there is absolutely no concrete evidence that Salieri ever did anything shady to Mozart.

What happened to Salieri was, indeed, Mozart. Mozart died before hitting 40--but had been composing and performing for about 30 years. At ten years old he showed a skill comparable to Hayden. Salieri was great and gifted. He had a most distinct musical ear and a deep, profound love of music. But Mozart was something the world had never before seen--and Salieri became overshadowed.

Anyone who thinks Salieri had no talent does not know music, only what is portrayed in Hollywood. Amadeus was a fantasia on Salieri's life, it was based on rumor and a short work from the 1830's. This was not Salieri's life story.

It is a shame what happened to Salieri. I went to the music store today and could not find one work of Salieri's--but there, a few rows over, was an entire section of Mozart. Even posthumously Salieri is overshadowed by his contemporary.

Let's also not forget who Salieri instructed--Beethoven, for one.

Signore Salieri, I salute you.

[by “Anonymous” on 2009-03-02 10:33:47]
Sheesh

They do don't they? Yes, Salieri wrote wonderful music and I think he would be a household name had he not lived during the same time period as Mozart. His pieces were enjoyed more by the people than were made for the sole purpose of being amazing.

[by “Anonymous” on 2009-02-01 23:40:40]
WOW!!!!!!

you guys really like to swear........... it really only matters if he wrote good music, correct me if I'm wrong...I don't really know very much about this guy if you could help me out.

[by “Anonymous” on 2009-01-20 18:43:35]
WOW

you guys don't know like Salieri didn't even kill mozart like he died becasue he was drinking alot and he got acholhol poinoning so shut your fucking mothes:D

[by “Anonymous” on 2009-01-14 12:57:24]
PLEASE!!!!

yeah fucking right. if it wasnt for mozart he would have been done alot sooner. saleri was fake and a hater from waaay back.

[by “Anonymous” on 2009-01-07 19:24:35]
werrrd

You didn't take no shit from Mozart and that makes you da man dawg! hehe

Thank you for the music Mr. Salieri, you're one of my favorites.

[by “Anonymous” on 2008-12-10 22:46:55]


Music



Wrote over 40 operas, most notably "Tarare", "Axur, re D’ormus" (Lorenzo da Ponte’s translation Beaumarchais’s libretto of "Tarare" into Italian), "Les Danaides", "Falstaff", "La Grotta di Trofonio", "Armida" and "La Locandiera". All these operas are excellent operas, and deserve much more recognition than they have now.

He also wrote numerous instrumental works. Wrote 2 symphonies in D, Seranatas for winds, the variations on "Follia di Spagna", a charming concerto for flute and oboe, a triple concerto, an organ concerto, 2 wonderful piano concertos, music for the ballet, and others. He wrote a few chamber works as well. Some harming string quartet overtures, some divertimenti, Scherzi, and some concertinos.

Also worthy of mention, he wrote numerous church works such as masses, requiems, and cantatas.

His music and style is wonderful. He should not of been forgotten. Two opera recordings are still out and many instrumental recordings are out. You can E-mail me if you want more infomation and some recording titles that I recommend by him. My E-mail is <OPERA5(at)aol.com>.

Life

Salieri was born on August 18, 1750 in Legnago, Italy. Not much is known about his early life. He moved to Vienna later in his musical career. He had many triumphs in opera. After W.A. Mozart died there was rumors of Salieri killing him, but Vienna did not believe these rumors and they have been confirmed not true. He had to be put in an asylum because he started to become unstable and died there on May 7, 1825.

There is a biography on him called "Maligned Master" by Volkmar Braunbehrens.


(contribution by Ryan Price <beanie(at)primenet.com>)

I have studied much on Antonio Salieri and have found his works incredibly wonderful. I also have researched a lot about his early life. Here is some of what I have gleaned from texts such as Maligned Master, the New Grove, and olf texts on Salieri.

After he had been orphaned, he spent his days with the renouned composer Gassmann in Vienna under his teachings. There he became fast friends with the emperor while attending many of his private musical gatherings with his master and tutor Gassmann. Finaly he began to participate in the gatherings, and thusly earned his first monies in music.

Through the years he became good friends with the Emperor, who also helped him in matters with his future wife. When he ask her guardian for her hand in marriage, the guardian refused due to the fact that Salieri only earned 100 ducats as court conductor. The Emperor upon hearing this rasied Salieri’s Stipend to 300 ducats under the stipulation that he take over some of the duties that Kapellmeister Bono (who was now in his sixties) could no longer perform.

Also mentioned in his early years, he was one of the "new school" of opera composing, and forged a new path for others to follow, indeed Mozart was one of the composers who had to "follow in his footsteps" when it came to such things.

Other facts of note... Salieri had seven children, was a close friend of Gassmann, and Gluck, was a man who suported the arts, the church, and had many students among which were Liszt, Beethoven, and others.


<pilar_penny(at)hotmail.com> writes: Let’s not forget Salieri’s mistress Catarina Cavalieri...

Places

You can also view these places on a map. All these places are taken from the Musicatlas.

Click the images to see a larger version.

Italy, Legnago, Palazzo Fioroni
Museo Fioroni with materials on Salieri.
Italy, Legnago, Via Disciplina, 20 — 18 Aug 1750

Birth place of Antonio Salieri *1750; a memorial tablet is at Via Disciplina, nr. 4. There no agreement on what house is the actual place where he was born.

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8 June 1787: Premiere of Tarare, in Paris, France.

Contributions by: beanie | opera |

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