Jean-Philippe Rameau

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(1893) Giuseppe Verdi: Premiere of Falstaff, in Milan, Italy.
(1940) Bohuslav Martinů: Premiere of the double concert for 2 string orchestras, piano and percussion, in Basel, Switzerland.
(1980) Mauricio Kagel: Premiere of Die Erschöpfung der Welt, in Stuttgart, Germany.
(1992) Wolfgang Rihm: Premiere of Die Eroberung von Mexiko, in Hamburg, Germany.
(1993) Peter Wallin: First performances of "Good Eeeevening!!!" and "Dägä Dägä" (version for 2 female soloists). Text by M.A. Numminen (Dägä).

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Sheet music for Rameau

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[details ←] Complete Keyboard Works, Vol. I, piano, organ, harpsichord,
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[details ←] The Graded Rameau, piano,
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[details ←] Mastering Classic Favorites-Bk. 1, piano,
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[details ←] Arien fur Tenor, flute,
[details ←] Arien fur Sopran, flute,
[details ←] Progressive Repertoire for the Double Bass-Vol 2-Pa. Acc., piano, double bass,
[details ←] University String Orchestra Album - 2nd Violin, orchestra, violin,
[details ←] The Joseph Szigetti Collection, violin, piano,
[details ←] Pearls of the Old Masters-Vol. II, clarinet, piano, oboe, flute,
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See also:
French composers
Baroque composers
Organists
Born: 25 September 1683 — Dijon — France
Died: 12 September 1764 — Paris — France
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Music

Numerous harpsichord pieces and many operas, including Hippolyte et Aricie, Castor et Pollux, Le Temple de la gloire, Les Paladins, and Les Indes galants.

Life

His birth date is uncertain, but he was baptized 25 September 1683.

Rameau began his musical career as an organist, but for a long time was best known as a theorist. His Treatise on Harmony was one of the most infulential works of the 18th century.

Rameau didn’t begin composing operas until he was into his fifties. Hippolyte et Aricie was his first attempt, and though it later became very successful, the Parisians (who were naturally suspicious of music written by a theorist rather than a practical composer) found the music far to wild and violent for their tastes. It was toned down to accomodate them.

He became very sucessful as an operatic composer, and was an important player in the so-called War of the Buffonists which sprang up in Paris after a performance of Pergolesi’s La Serva Padrona. The conflict dropped off after the successful perfomance of an Italian opera which was actually written by a Frenchman.

Rameau’s output is small if measured in total number of works, but when one considers that he didn’t begin a serious career in composition until his life was more than half over, the amount of actual music is astounding.

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24 October 1737: Premiere of Castor et Pollux, in Paris, France.

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