Lorenzo Perosi


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Picture of Lorenzo Perosi.
(sent by R.J. Stove)

Sheet music for Perosi



[details ←] Missa Pontificalis Lat Vocal, Organ, choral
[details ←] Messa a tre voci maschili in re min (Cerviana) Lat Vocal, choral
[details ←] Missa Eucharistica Vocal, Organ,
[details ←] Messa Da Requiem Vocal, choral
[details ←] Hoc Est Corpus Meum. Voz separada Organ,
[details ←] Il Natale del Redentore - full score Percussion,
[details ←] Il Natale del Redentore - vocal score Vocal, Percussion,
[details ←] Il Natale del Redentore - set of parts Percussion,
[details ←] Misa Pontificalis, a 3 voces. Partitura Organ,
[details ←] Misa Pontificalis. Voz separada Organ,
[details ←] Requiem, a 3 voces. Partitura Organ,
[details ←] Requiem. Voz separada Organ,
[details ←] Te Deum Laudamus, a 2 voces. Partitura Organ,
[details ←] Te Deum Laudamus. Voz Separada Organ,

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Born: 20 December 1872 — Tortona — Italy
Died: 12 December 1956 — Roma — Italy
→ See also: Italian composers | Modern composers |
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Music



Best-known masses: Te Deum Laudamus, Benedicamus Domino, Beati Caroli, Eucharistica, Pontificalis I and II. One Requiem. Motets: Tu es Petrus, Oremus Pro Pontifice, Sacerdos et Pontifex.

Life

He studied in Milan and Regensburg. Became a priest in 1895. Had the title of `Direttore perpetuo della Cappella Sistina’.


He studied faithfully, in spite of sickness, first at Milan, then under the learned Fr. Haberl at Ratisbon. He became a conductor at Imola, and afterwards at Venice, where he led his forces with decided vigor. Soon after this, he began to compose the oratorios that have him so famous. His sacred trilogy, "The Passion of Christ", included the "Last Supper", the "Sermon on the Mount", and the "Death of the Redeemer". It made a sensation that reverberated through all Italy, and caused his appointment in the following year as honorary master of the Papal Choir. He has been untiring as a composer, producing no less than fifteen masses and nearly a dozen oratorios. Among the latter are "The Transfiguration", "The Annunciation", "The Raising of Lazarus", "The Birth of the Redeemer" and the two-part "Moses". His music does not posses the calm dignity shown by Palestrina, but its semi-popular style is well adapted to his hearers, and may lead the way to something better.

(Contribution by Raúl Izaguirre <rizaguiyahoo.com>.)

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