Lorenzo Perosi


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Sheet music for Perosi




[details ←] Two Pontifical Masses, vocal,

[details ←] Messa Da Requiem, vocal, , choral, vocal,

[details ←] Missa Eucharistica, organ, vocal,

[details ←] Missa Pontificalis Lat, organ, vocal, , choral, vocal,

[details ←] Messa a tre voci maschili in re min (Cerviana) Lat, vocal, , choral, vocal,

[details ←] Hoc Est Corpus Meum. Voz separada, organ,

[details ←] Il Natale del Redentore - full score, percussion, harp,

[details ←] Il Natale del Redentore - set of parts, percussion, harp,

[details ←] Il Natale del Redentore - vocal score, percussion, vocal, harp,

[details ←] Misa Pontificalis, a 3 voces. Partitura, organ,

[details ←] Misa Pontificalis. Voz separada, organ,

[details ←] Requiem, a 3 voces. Partitura, organ,

[details ←] Requiem. Voz separada, organ,

[details ←] Te Deum Laudamus, a 2 voces. Partitura, organ,

[details ←] Te Deum Laudamus. Voz Separada, organ,

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Perosi: Missa Pontificalis; Messa a due voci dispari
Classical Music : Perosi: Missa Pontificalis; Messa a due voci dispari
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Lorenzo Perosi: La Risurrezione di Cristo
Classical Music : Lorenzo Perosi: La Risurrezione di Cristo
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Lorenzo Perosi: Gerusalemme
Classical Music : Lorenzo Perosi: Gerusalemme
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Perosi: Messa da Requiem; In Patris Memoriam
Classical Music : Perosi: Messa da Requiem; In Patris Memoriam
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Perosi: Transitus Animae; O Padre nostro
Classical Music : Perosi: Transitus Animae; O Padre nostro
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See also:
map icon Perosi Music Atlas
Italian composers
Modern composers
Conductors
Born: 20 December 1872 — Tortona — Italy
Died: 12 December 1956 — Roma — Italy
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Music



Best-known masses: Te Deum Laudamus, Benedicamus Domino, Beati Caroli, Eucharistica, Pontificalis I and II. One Requiem. Motets: Tu es Petrus, Oremus Pro Pontifice, Sacerdos et Pontifex.

Life

He studied in Milan and Regensburg. Became a priest in 1895. Had the title of `Direttore perpetuo della Cappella Sistina’.


He studied faithfully, in spite of sickness, first at Milan, then under the learned Fr. Haberl at Ratisbon. He became a conductor at Imola, and afterwards at Venice, where he led his forces with decided vigor. Soon after this, he began to compose the oratorios that have him so famous. His sacred trilogy, "The Passion of Christ", included the "Last Supper", the "Sermon on the Mount", and the "Death of the Redeemer". It made a sensation that reverberated through all Italy, and caused his appointment in the following year as honorary master of the Papal Choir. He has been untiring as a composer, producing no less than fifteen masses and nearly a dozen oratorios. Among the latter are "The Transfiguration", "The Annunciation", "The Raising of Lazarus", "The Birth of the Redeemer" and the two-part "Moses". His music does not posses the calm dignity shown by Palestrina, but its semi-popular style is well adapted to his hearers, and may lead the way to something better.

(Contribution by Raúl Izaguirre <rizaguiyahoo.com>.)

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