Harry Partch


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Sat 7 Nov: EL NUEVO MUNDO. 17th & 18th-Century Spain and the Colonial Latin Americas. Cathedral of Saint John the Divine, New York, USA
Sat 7 Nov: Jack Curtis Dubowsky Ensemble Concert Trinity Chapel, Berkeley, CA, USA
Sat 7 Nov: Concerto per la beata Vergine SATB choir, oboe New York City Church of the Hole Trinity, New York, USA
Sun 8 Nov: EL NUEVO MUNDO. 17th & 18th-Century Spain and the Colonial Latin Americas. Cathedral of Saint John the Divine, New York, USA
Sun 8 Nov: An Audience With Hackney Singers St. Johns At Hackney, Hackney, England
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(1857) Ferenc (Franz) Liszt: Premiere of Dante Symphony, in Dresden, Germany.
(1875) Pyotr Ilyich Tchaikovsky: Premiere of Symphony no. 3 in D major op. 29 “Polish”, in Moscow, Russia.
(1876) Bedřich Smetana: Premiere of The Kiss, in Prague, Czech Republic.
(1934) Nicoló Paganini: Premiere of the Paganini Rhapsody op. 43, in Baltimore, USA, with Rachmaninov at the piano.
(1934) Sergey Rachmaninoff: Premiere of the Paganini Rhapsody op. 43, in Baltimore, USA, with Rachmaninov at the piano.

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Picture of Harry Partch.
From the book
"Songs in the Key of Z"
by Irwin Chusid,
Cherry Red Books 2000,
Photo by Philip Blackburn ©
(sent by Andrea Santini)

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Early Music (Lachrymae Antiquae)
Classical Music : Early Music (Lachrymae Antiquae)
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Harry Partch: U.S. Highball
Classical Music : Harry Partch: U.S. Highball
by: Kronos Quartet, Composer: Harry Partch


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Howl U.S.A.
Classical Music : Howl U.S.A.
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The Harry Partch Collection, Volume 2
Classical Music : The Harry Partch Collection, Volume 2
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Just West Coast
Classical Music : Just West Coast
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See also:
American composers
Modern composers
Violists
Born: 24 June 1901 — Oakland — USA
Died: 3 September 1974USA
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Music


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Life

Original American composer Harry Partch was influenced by no one nor any musical genre or tradition. A Newsweek citation states: "Harry Partch is an American visionary and stubborn individualist... He has built his own musical world out of microtones, hobo speech, elastic octaves and percussion instruments made from hubcaps and nuclear cloud chambers. His music is also influenced by "African polyrhythms, ancient Greek modes, bits of Babylonia and the American diesel engine all gathered into a richly erotic, primitive, fresh and stirring drama of sound".

Harry Partch describes his creativity as: "I have never been involved with the development of modern or avant-garde music. I have always been a loner. There is nothing like my work in the modern world that I know of". His instruments, all constructed and sculpted by him from scraps and objects found near Sausalito, California are probably now stored at the Whitney Museum in New York City.

Two albums were made by Columbia 30 years ago. One is a recording of the "Delusion of the Fury" on 2 LPs. The other is called "The World of Harry Partch", consisting of "Daphne of the Dunes", "Barstow", Eight Hitchhiker Inscriptions from a Highway Railing at Barstow (California); and "Castor and Pollux", a Dance for Twin Rhythms of Gemini from Plectra & Percussion Dances. These are played by Danlee Mitchell and his thirteen member ensemble, all trained by Partch. No conventional orchestra can play these pieces because they cannot be played on traditional instruments. The last time these works were played was probably about 25 years ago.

The names of the instruments, all pictured and described in a beautiful booklet accompanying both albums are: Cloud chamber bowls,bass marimba, Kithara, Spoils of War, Zymo-XYL, Boo (Bamboo Marimba),Chromelodeon, Diamond Marimba, Mazda Marimba, Gourd Tree, Cone Gong, Eucal Blossom, Quadrangularis Reversum, and Harmonic Canon. Hand instruments consist of: Bolivian double flute, Ugumbo (a Zulu instrument), Waving drum, Rotating drum, Belly drum, and Bamboo and Eucalyptus Claves.

I do not know if these Columbia LPs have been transferred to Sony CDs.

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