Sir Charles Hubert Hastings Parry
Born: 27 February 1848, Bournemouth (England)
Died: 7 October 1918, Rustington (England)
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Sheet music
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Find more scores by Sir Charles Hubert Hastings Parry
[details ←] Jerusalem Piano, Vocal,
[details ←] Sir Charles Hubert Hastings Parry: I Was Glad When They Said Unto Me , SATB choir and piano accompaniment, choral, choral
[details ←] Jerusalem (And did those feet in ancient times) - full score Vocal, Percussion,
[details ←] Jerusalem choral
[details ←] Jerusalem Piano, Vocal,
[details ←] Seven Chorale Preludes; Set 1 (score) Organ,
[details ←] Jerusalem Piano, choral
[details ←] Seven Chorale Preludes; Set 2 (score) Organ,
[details ←] Suite in F (Lady Radnor’s Suite) - set of parts orchestra,
[details ←] An English Suite - full score orchestra,
[details ←] I Was Glad When They Said Unto Me Organ, choral
[details ←] Songs of Farewell choral
[details ←] And All the Earth Shall Own Him Lord choral
[details ←] Hands Across the Centuries (score) Piano,
[details ←] Shulbrede Tunes (score) Piano,
[details ←] Three Chorale Fantasias; Elegy (score) Organ,
[details ←] Toccata and Fugue (The Wanderer) (score) Organ,
Music
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Biography
While Sir Charles Hubert Parry, along with his contemporary Stanford, was a dominant figure in late 19th and early 20th century British music, his music was largely ignored after WW I being viewed as old-fashioned and irrelevant. However, both Parry and his music have recently experienced a minor revival with recordings of his symphonic and choral music. At his best, Parry’s music combines Wagnerian orchestral colors and Brahmsian symphonic logic (with a bit of Mendelssohn and a dash of Dvorak!). Parry’s most significant works are probably his symphonies, especially the second ("Cambridge") and the third ("English"). Despite their titles, both symphonies are actually non-programmatic in nature. Elgar, Vaughan Williams, and Holst all acknowledged their debt to Parry’s teaching and musical examples.
Concerts
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Events
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