Vassil Kazandjiev

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Piano Concerto No.5 in F Minor, BWV1056: II. Largo
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Sinfonia Concertante For Viola, Double-Bass And Orchestra: 2. Andantino
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Peer Gynt, Suite No. 1, op. 46 - I. Morning (Edvard Greig)
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Bach: Harpsichord Concerto in D Minor, BWV 1052 - 2. Adagio
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Concerto for Piano, Strings and Continuo No.5 in F Minor, BWV 1056: I. Allegro moderato
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Berlioz - Fantastique
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See also:
Bulgarian composers
Modern composers
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Born: 10 September 1934 — Rousse — Bulgaria
Died:
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Vassil Kazandjiev - Compositions
Balkanton 0702166 (1995)
Sonata for cello solo
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Life

Vassil Kazandjiev made his way into the Bulgarian music scene as a true child prodigy. In 1952, Kazandjiev was already in Sofia, his name first in the list of the students admitted to the composition and conducting program at the State Academy of Music. His teachers were Pancho Wladigerov and V. Simeonov, yet it was Konstantin Iliev who remained his true spiritual mentor. After his graduation from the State Academy in Music in 1957, Kazandjiev was active as conductor at the Sofia Opera, founder and director of the Sofia Soloists Chamber Ensemble (1962-1978), director of the Symphony Orchestra of the Bulgarian National Radio, professor in conducting at the State Academy of Music.

His artistic development was spontaneous and vigorous. His diploma work, Divertimento for Orchestra (1957) was followed by a decade of intensive explorations which went through the September, 23 overture (1963), to the first climax of his radicalism - the first string quartet Perspectives (1966), and the second symphony - Symphony of the Timbres (1968). Today, the composer is deservedly among the key figures of the Bulgarian musical avant-garde with his mature works "Affreschi Sacri", "Mirages", Reflections two cellos, Sonata for violin and cello.

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