Frederick Jacobi


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Upcoming concerts →

– Tue 16 Sep: Cycles - A feast of Orchestral Song Cadogan Hall, London, UK
– Wed 17 Sep: Gloria in Re Maggiore Arezzo, Italy
– Sat 20 Sep: Messa Clementina II a 5 voci e Stabat Mater a 10 voci Turin, Italy
– Mon 22 Sep: Messa Clementina II a 5 voci e Stabat Mater a 10 voci Brescia, Italy
– Sun 28 Sep: New Music for Saxophone Pima College, Tucson, Arizona, USA
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Composer news →

Musikpreis Salzburg 2009 awarded to Klaus Huber 11 Aug 2008
Wagstaff's Piano Quintet released on CD 6 Aug 2008
Statue unveiled to honour Séan Ó Riada 4 Aug 2008
Norman Dello Joio dies at 95 29 Jul 2008
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Today → (7 Sep)

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– (1972) Sylvano Bussotti: Premiere of Lorenzaccio, in Venice, Italy.
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Picture of Frederick Jacobi.
Jacobi in 1950

Sheet music for Jacobi




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Frederick Jacobi: Concerto for Violoncello and Orchestra; Sabbath Evening Service; HagiographaClassical Music : Frederick Jacobi: Concerto for Violoncello and Orchestra; Sabbath Evening Service; Hagiographa
from: Milken Archive


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Music of Frederick JacobiClassical Music : Music of Frederick Jacobi
from: Composers Recordings


American Viola WorksClassical Music : American Viola Works
from: Cedille


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American Viola WorksClassical Music : American Viola Works
from: Cedille


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Born: 4 May 1891 — San Francisco — USA
Died: 24 October 1952USA
→ See also: American composers | Modern composers |
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Music



Jacobi was one of the founders of the U.S. League of Composers in 1923 and served on the American board of the International Society for Contemporary Music in the 1920s and 1930s. His compositions were played by leading orchestras across the country, from A California Suite (San Francisco Symphony Orchestra, 1917) to his Serenade for Piano and Orchestra (Indianapolis Symphony Orchestra, 1952). The Austrian section of the ISCM gave a special performance of Jacobi’s works at the ISCM Congress in Vienna in 1932.

"Frederick Jacobi and Herman Voaden: The Prodigal Son" is a study of the collaboration during 1942-44 between Jacobi and the Canadian playwright on the opera The Prodigal Son. Jacobi had been inspired to compose the opera by four early 19th-century American lithographs that visualized the Biblical story in an American setting and asked Voaden to write the libretto. This study presents an inside account of the writing and composing of the opera, the history of concert and stage presentations in the U.S., London and Toronto over the subsequent decade, and how it might be staged today.

The website (http://www.lib.unb.ca/Texts/Theatre/voaden/index.htm) discusses the rise of a distinct indigenous American music in the early 1920s, the critical climate of the period, the question of nationalism in music, and how Jacobi expressed his Jewish heritage in his compositions. The site also features a complete chronology and discography of Jacobi’s 100 works, 50 photographs and the complete text of Voaden’s opera libretto for The Prodigal Son.

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