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Tom Ingoldsby
Tom | Ingoldsby |
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Composition list
Concertante music
Sheet music for Tom Ingoldsby
Three Sonatas for Piano — Tom Ingoldsby
Piano — Book Only — Contemporary Music
Composed by Tom Ingoldsby. Contemporary Music. Book Only. Composed 2019. 68 pages. Cadenza Music #CAZTISON01. Published by Cadenza Music (BT.CAZTISON01).
Price: $30.00
Violin Concerto 'Canticle' — Tom Ingoldsby
Violin and Orchestra — Study Score — Contemporary Music
Composed by Tom Ingoldsby. Contemporary Music. Study Score. Composed 2019. 88 pages. Cadenza Music #CAZTIVCN01. Published by Cadenza Music (BT.CAZTIVCN01).
Price: $37.00
Wave Etchings — Tom Ingoldsby
Violin and Orchestra — Score Only — Contemporary Music
Composed by Tom Ingoldsby. Contemporary Music. Score Only. Composed 2019. 100 pages. Cadenza Music #CAZTIWAV01. Published by Cadenza Music (BT.CAZTIWAV01).
Price: $41.00
Prelude II — Tom√°s Finn
Piano Solo — Individual Part,Solo Part — Baroque Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Baroque Period. Individual Part, Solo Part. 2 pages. Published by Tom√°s Finn (S0.437821).
Price: $6.00
Piece n¬∞2 in F (piano) — Tom√°s Finn
Piano Solo — — Classical Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Classical Period. 1 pages. Published by Tom√°s Finn (S0.213697).
Price: $2.00
Piece n¬∞7 in F (piano) — Tom√°s Finn
Piano Solo — — Classical Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Classical Period. 1 pages. Published by Tom√°s Finn (S0.213725).
Price: $2.00
Piece n¬∞8 in C (2pianos) — Tom√°s Finn
Piano Duet — Score — Classical Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Classical Period. Score. 6 pages. Published by Tom√°s Finn (S0.215077).
Price: $5.00
Piece n¬∞4 in A minor (2oboes) — Tom√°s Finn
Oboe,Woodwind Duet — Score — Classical Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Classical Period. Score. 1 pages. Published by Tom√°s Finn (S0.217267).
Price: $2.00
Piece n¬∞5 in D (1oboe/2violins/1violencello) — Tom√°s Finn
Oboe,Violin,Cello — Score — Classical Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Classical Period. Score. 3 pages. Published by Tom√°s Finn (S0.217269).
Price: $5.00
Piece n¬∞2b in F (2oboes) — Tom√°s Finn
Oboe,Woodwind Duet — Score — Classical Period
Composed by Tom√°s Finn. Arranged by Tom√°s Finn. Classical Period. Score. 2 pages. Published by Tom√°s Finn (S0.217273).
Price: $2.00
Orchestral works
2003
They Once Were (c. 12’). A Concert Overture for Symphony Orchestra. Commissioned by Birmingham Conservatoire, University of Central England, as winner of the New Millennium Composition Competition 2002 and first performed by the Birmingham Conservatoire Symphony Orchestra, conducted by Lionel Friend on 26 March 2004.
1997/8
Lamentations and Celebrations (c. 30’). Concerto for Percussion Ensemble and Orchestra. The first section of the Percussion Concerto Lamentations and Celebrations won first prize in the Fourth International Composition Competition 2 Agosto in summer 1998. It was the first time the International Jury had unanimously awarded the gold medal prize, and the first time it had ever been awarded to a foreign composer. The performance took place in the Piazza Maggiore in Bologna, and was broadcast throughout Italy on radio and TV. The complete work awaits its premiere.
1994/9
Wave Etchings (c. 27’). Concerto in three movements for Piano and Orchestra Originally devised as a work for Piano and Tape, the first section of Wave Etchings was premiered by Philip Mead and Stephen Montague at the Michael Tippett Centre, Bath, in December 1994. Completely recast as a full-scale piano concerto, Wave Etchings was awarded the first prize in the Seventh Edition of the City of Tarragona International Award for Musical Compositions. Premiered in 2000 by the Barcelona Symphony Orchestra cond. Antoni Ros Marb Albert Attenelle (piano). UK premiere 2001 BBC Symphony Orchestra, cond. Pascal Rophe, Rolf Hind (piano). Subsequently broadcast on BBC R3 Hear and Now
Works for chamber ensemble
2001
Dances and Dirges (c. 21’). 2 Fl (+Picc), 2 Cl (+2 Bcl), Hn, Perc, 2 Pf, 2 Vn, Vla, Vc, Cb (or optional Bass gtr.) Workshop performance as part of the University of Manchester Department of Music Autumn Series on 28 November 2002 by an ensemble conducted by Gavin Wayte.
1999
Fanfare from the back of beyond (c. 3’) Fl (+Picc), Ob, Fag, Horn, Bass Tbne, Hp, Vla, Cb Written in response to the BBC’s call for pieces as part of the State of the Nation 2000 series, Fanfare was recorded by the London Sinfonietta for BBC 3 Here and Now with live performances at the Purcell Room.
1991
Te Rerioa (c. 10’) Fl (+Picc), Cl (+Bcl), Perc, Pf, Vn, Vc First given a workshop performance by the Ixion Ensemble at Dartington in August 1991. Subsequently chosen for the SPNM’s 50th Anniversary Concert at the Queen Elizabeth Hall in March 1993. Performed by Jane’s Minstrels and recorded and broadcast by the BBC.
Three Fragments for Soprano and Microtonal Ensemble (c. 22’). Fl (+Picc), Ob, Cl (+Bcl), Hn, Tpt, Tbne, Bass Tbne, 2 Perc, Pf, 2Vn, Vla, Vc, Cb Written for Sarah Stowe and the Guildhall New Music Ensemble who gave the first performance at the SPNM Microtonal Forum in 1991, cond. James Wood.
1990
Three Small Litanies for Soprano and Chamber Ensemble (c. 12’). Sop, Fl (+picc), Bbcl (+Bcl), Vn, Vc, Pf, Cond. First performed by Gemini with Mary Wiegold (sop), Martyn Brabbins (cond). Chosen to conclude the SPNM Regional Day in Exeter, February 1991. Recorded and broadcast by the BBC, Three Small Litanies received a commemorative award from the Second Tokyo International Competition for Chamber Music Composition.
1989
Concerto for Ten Players and Conductor (c. 24’). Fl, Ob, Cl (+Bcl), Fag, 2 Perc, Pf, Vn, Vla, Vc, Cond. Written for the Cleveland Institute of Music Chamber Ensemble who gave the premiere of the first two movements in March 1989. The London premiere of the completed work was given by Music Projects London, conducted by Martyn Brabbins, at St. Giles Cripplegate, March 1994.
Works for strings
2005
A Pocket String Quartet (5’)
2000
After the Eulogy for Violin and Piano (c.14’). * Written for Ann Hooley. Winner of both jury and critics prizes at the 2002 UK/Eire composition competition. First performance, 27 November 2002, Purcell Room, by Adam Summerhayes and Alan Brown.
1994
Sonata for Violin, Viola and Piano (c. 22’). * Written for Ann Hooley, Bridget Carey and Dominic Saunders and premiered by them at St Giles Cripplegate in February 1996, this piece was awarded the 1994 Clements Memorial Prize for Chamber Composition.
1992
Vaela for Solo Viola (c. 11’). Commissioned by the Exeter Festival with funds provided by South West Arts and premi貥d at the Northcott Theatre in August 1992 by Bridget Carey, who subsequently gave the first London performance at the BMIC, February 1993.
String Quartet (c. 17’). Premiered by the Kreutzer Quartet, Cyprus, March 1998.
1989
Dialogues pour violon et piano (c. 10’) * Commissioned by Paule Barsalou and premiered by her at the Cleveland Institute of Music in March 1989. Canadian premiere by the Barsalou/Gee Duo, Hamilton, Ontario, October 1992. The Dialogues were given their first British performance by Ann Hooley and William Hancox at a BMIC concert in February 1993.
Works for woodwind
2003
Clarinet trio (13’ 30"). Cl, Vc, Pf Commissioned by Frances Williams for Music at Leasowes Bank Festival 2003, and first performed there on 1 August 2003 by Neriye Ashworth, Christopher Allan and Mark Troop.
The Cathedral. Trio for Alto Flute, Bass Clarinet and Piano (7’45") Afl, Bcl, Pf Written for Carla Rees and first performed on 29 October 2004 at St Cyprian’s, London NW1 by Carla Rees, Sarah Thurlow and Kerry Yong.
2002
Sketch for Clarinet and Piano (3’) C., Pf Premiered by Ian Mitchell at the University of Exeter, July 2002
1985
Past Times for Clarinet Quartet (c. 5’). Tom’s earliest mature piece; also arranged 1999 for Saxophone Quartet.
Works for solo piano
2005
A Little Moment for Solo Piano (1’). Commissioned by Clive Williamson for One Minute Wonders, premiered on 15 March 2005 as part of the Guildford International Music Festival.
2004
Sonata for piano (6’). Commissioned by Mark Bebbington with assistance from Cultural Affairs, High Commission of Canada, London. Premiered 1 June 2005, St John’s Smith Square, London
2002
Sonata for Piano (8’30") *. Commissioned by Clive Williamson with assistance from the Britten-Pears Foundation and premiered by him in Manchester, 13 February 2003
* Works to be included on the Meridian CD to be issued 2005
One of the most exciting and idiomatic voices to emerge in recent years, Tom Ingoldsby’s music owes its immediacy and accessibility to a combination of engaging rhythmic complexity with a superb ear for instrumental colour and a long-breathed lyricism. Over the past ten years he received a number of international awards, both for his large-scale orchestral pieces and several smaller chamber works, as well as several commissions.
Tom’s most recent commissions include two piano sonatas for Clive Williamson and Mark Bebbington respectively, They once were . A Concert Overture for Symphony Orchestra for Birmingham Conservatoire and premiered under Lionel Friend in Birmingham’s 2004 Music Xtra Festival, an alto-flute sonata for Carla Rees, a clarinet trio for Leasowes Bank Festival, and a ‘one-minute wonder’ piece for solo piano for Clive Williamson. Future commissions include a violin concerto for Docklands Sinfonietta and a third piano sonata for Clive Williamson.
The violin sonata, After the Eulogy, won the 2001 UK/Eire Composition Competition at the London’s Purcell Room. It has been recorded by Adam Summerhayes and Alan Brown, for a CD devoted Tom’s chamber music for violin, viola and piano to be released on the Meridian label in 2005.
Dances and Dirges, a chamber concerto for two pianos and 11 players, was premiered at the University of Manchester in 2002 with a student ensemble conducted by Gavin Wayte and awaits its professional premiere.
Other works for piano include Wave Etchings, a Concerto for Piano and Orchestra, described by Richard Whitehouse as the finest piano concerto to have appeared in the UK for well over a decade. This won the City of Tarragona Gold Medal in 1999 and performed by Albert Attenelle with the Barcelona Symphony Orchestra conducted by Antoni Ros Marba It was given its UK premiere by Rolf Hind and the BBC Symphony Orchestra under Pascal Rophe, and subsequently broadcast in Hear and Now on BBC Radio 3.
Lamentations and Celebrations for percussion ensemble and orchestra won the 2 Agosto competition in Bologna in 1998. Previous awards include the 1996 Clements Memorial Award for Chamber Music for his Sonata for Violin and Piano, and a commemorative award from the 2nd Tokyo International Competition for Composition for Three Small Litanies for soprano and chamber ensemble.
A ‘late arriver’ to classical music, Tom’s musical origins lie in rock and roll, and he lists artists from the Beatles to King Crimson as major influences on his life. After playing guitar in a few semi-successful rock bands, he began composing short pieces for piano, one of which won a Music Canada award. He studied composition with Boyd McDonald and Mariano Etkin at Wilfred Laurier University, and then obtained his Master’s degree at the State University of New York, Buffalo, working for two years with Morton Feldman. He subsequently spent three years at the Cleveland Institute of Music studying with Donald Erb.