Joseph Matthias Hauer

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(1870) Léo Delibes: Premiere of Coppélia, in Paris, France.
(1919) George Enescu: Premiere of Symphony no. 3, in Bucarest, Romania.
(1930) George Antheil: Premiere of Transatlantic, in Frankfurt am Main, Germany.
(1938) William Schuman: Premiere of Symphony no. 2, in New York, USA.
(1961) Mario Castelnuovo Tedesco: Premiere of Il Mercante di Venezia, in Milan, Italy.

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Picture of Joseph Matthias Hauer.
(sent by Egon Schrøder)

Sheet music for Hauer

[details ←] Piano pieces op. 25, piano,
[details ←] Etuden Op. 22, Heft 1 1922
[details ←] Etuden Op. 22, Heft 2 1922
[details ←] Hausmusik, 2 Vns/Piano, piano,
[details ←] Horn Concerto, horn, piano, french horn,
[details ←] Menschen Weg, Op. 67, Voc Sc
[details ←] Piano Concerto, viola, horn, piano, french horn, flute,
[details ←] Piano Pieces, Op. 3, piano,
[details ←] Twelve Tone Technique
[details ←] Violin Concerto, Op. 54, violin,
[details ←] Vom Melos Zur Pauke
[details ←] 4 Stucke op. 59, cello,
[details ←] 4 Stucke, orig. fur Vc. solo, guitar,
[details ←] 7 Stucke op. 56 (1928), violin,
[details ←] Apokalyptische Phantasie, bassoon, piano, percussion,
[details ←] Auswahlband, accordion,
[details ←] F. v. Suppe, accordion,
[details ←] Hausmusik, piano,
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See also:
Austrian composers
Modern composers
Born: 19 March 1883 — Wiener Neustadt — Austria
Died: 22 September 1959 — Wien — Austria
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Music

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Life

(Anonymous contribution <anon(at)fyi.net>.)

"Joseph Matthias Hauer (1883–1959) stood as a lone wolf in opposition to Schönberg. He claimed to have experimented with the twelve-tone series before Schönberg. Hauer worked with 44 basic patterns out of the 479,001,600 possibilities of combining the twelve tones. The soft, mystic tone of his musical language was based on the conviction that music is "mathematics in its highest sense" and that atonal music represents the "personification of absolute melodic objectivity". Hauer spent the end of his life in Vienna, half-forgotten, a recluse, misunderstood and outcast." — From the liner notes to the record entitled "Wirkung der Neuen Wiener Schule im Lied" (Odeon EMI Electrola 1 C 065-02 677) — Notes by Karl Schumann, translation into English by E.D. Echols, correction of typo by Yours Truly (anonymous).

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Events

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16 April 1928: Premiere of Wandlungen, in Baden-Baden, Germany.
21 October 1963: Premiere of Apokalyptische Phantasie (Symphony no. 3), in Graz, Austria.

Contributions by: anon |

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