Musicatlas
Music
- 14 Sacred Songs for solo voice and organ 1985–2004
- Numerous compositions for piano 1985–present
- The Four Artists Cantata with sonnets by Margaret Hardy for SATB soloists, chorus, and piano 1988
- Choreographer of Birds Poem of Margaret Hardy for soprano and piano 1988
- Introit for oboe and two violins 1990
- Music for Blue Squares Electronic score for exhibition of the paintings of Frederic Walpersrwyler, Old Lyme Art Association, May 1993
- IMAGES 1939/1993 for string orchestra, chorus, alto soloist, and piano 1993
- Ring Out Wild Bells poem of Tennyson for mixed chorus 1994
- Stopping By Woods poem by Robert Frost for mixed chorus 1994
- The Silken Tent poem by Robert Frost for male chorus 1994
- Two Toccatas for Piano 1995
- The Star and the Manger Christmas song for mixed chorus, poem by Margaret Hardy 1996
- Three War Poems for baritone solo and piano, poems by Margaret Hardy 1996
- The Age of Exploration Four sonnets by Margaret Hardy for soprano, harpsichord and ‘cello 1996
- First Lessons for soprano, piano, and double-bass. Poem by Margaret Hardy 1997
- The Most Intelligent, the Most Beautiful poem by M. Hardy for voice and piano 2004
- Three Dances for flute, mandolin, and guitar 2005
- Quartet 4 Joyce for flute, mandolin, guitar, and harp 2006
- April Foolishness for soprano, flute, violin, glass armonica, and piano 2006
- Two Pantoums: Canons for Soprano and Piano Quartet 2007
- Carnaval for Concert Band 2007
Life
Glenn Hardy was born in Ventura, California, USA in 1950 and began piano study at the age of four. He was raised in a musically diverse home where his much older brother, an accomplished pianist and clarinetist, was a primary influence. Through access to his brother’s extensive record collection, Glenn developed an early interest in a wide range of music including classical, blues, jazz, and big band. In the 60’s, rock and folk music were added to the mix, setting the stage for a later career in which the cross-cultural and polystylistic musical tendencies of postmodernism would emerge.
In 1968, Glenn received a music scholarship to study piano performance at University of the Pacific Conservatory. Here, he began to investigate medieval and renaissance music, the harpsichord, music of other cultures, and various forms of improvisation. Here, also, his German piano instructor demanded that he stop wasting his time improvising and playing jazz, and “Get back to Brahms!” This was not to be.
Unable to reconcile his compelling interest in music outside of the classical mainstream with the required course of study, Glenn left the university and the world of piano recitals in 1971. He traveled extensively in the United States, Canada, and Europe, including pilgrimages to Salzburg, Bonn, and Vienna, the birthplaces of Mozart, Beethoven, and Schubert. Returning to California in 1973, he began performing and conducting early music in the San Francisco bay area. From 1975 to 1981 he owned and operated The Harpsichord Workshop of San Francisco, a center devoted to the building and maintenance of early keyboard instruments. During this time he also studied jazz piano, and began composing in a style which reflected his various musical influences.
In 1982, Glenn left California for New England where, in addition to composing for piano, organ, chamber groups and orchestra, he collaborates with his wife, Margaret, a poet, on vocal and choral works. Together they have written The Four Artists – for vocal soloists, piano, and chorus: a look at the relationship between artists and society, The Age Of Exploration – for soprano, cello, and harpsichord, which examines the roles of women in the renaissance and today, and Images 1939/1993 – for contralto, chorus, piano, and string orchestra, which explores modern genocide in Europe.
More recently, he has appeared in several solo performances, as well as with jazz and blues bands throughout New England and the greater New York area. Glenn lives with his wife in Mystic, Connecticut, USA, where he continues to compose, improvise, teach, and perform. He has several CDs of solo piano music. He and his wife have a son, Benjamin, 29.