Gene Gutchë

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Korean prize for Unsuk Chin posted 16 Apr 2012
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Sat 26 May: The Hambleden Concerts 2012 - Music from around the World The Parish Church of St Mary the Virgin Hambleden Hambleden, RG9 6RT
Tue 29 May: Composers Voice Jan Hus Church, 351 East 74th Street, New York
Sat 2 Jun: Music for a Royal Occasion Middleton Parish Church, New Lane, Middleton Manchester M24
Fri 8 Jun: Vienna Here and Now St Lawrence Hall, 157 King E, Toronto
Fri 8 Jun: Shakuhachi Concert Raixa, Bunyola, Spain
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Today → (25 May) rss

Birthdays:
Dying days:
Events:
(1870) Léo Delibes: Premiere of Coppélia, in Paris, France.
(1919) George Enescu: Premiere of Symphony no. 3, in Bucarest, Romania.
(1930) George Antheil: Premiere of Transatlantic, in Frankfurt am Main, Germany.
(1938) William Schuman: Premiere of Symphony no. 2, in New York, USA.
(1961) Mario Castelnuovo Tedesco: Premiere of Il Mercante di Venezia, in Milan, Italy.

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Steve Cohen (16 May)
Anna Cramer (16 May)
Thomas Koppel (16 May)
Iet Stants (16 May)
Marc Hyland (16 May)
Wim Franken (26 Apr)

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See also:
German composers
Modern composers
Born: 3 July 1907 — Berlin — Germany
Died: 15 November 2000 — White Bear Lake, MN — USA
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Music

Orchestral music: 6 symphonies (1950-1971), Piano Concerto (1955), Holofernes Overture (1958), Bongo Divertimento (1961), Genghis Khan (1963), Aesop Fabler Suite (1965), Hsiang Fei (1965), Violin Concerto (1968); Epimetheus USA (1968), Bi-Centurion (1975), Icarus (1975), Perseus & Andromeda XX (1977), Akhenaten (1983), Helios Kinetic (1978), Rites in Tenochtitlan (1965).

Other music: three piano sonatas, four string quartets, three choruses.

Life

Romeo Maximilian Eugene Ludwig Gutsche (Americanized to Gene Gutchë), of affluent Polish and French parentage, studied as a child with Feruccio Busoni. In his late teens (1925), in conflict with his father over the notion of a career in music, he came to the United States, settled in Minnesota, and eventually completed a MA in Composition with Donald Ferguson at the University of Minnesota (1950) and a PhD in Composition with Philip Greely Clapp at the University of Iowa (1953).

His vigorous and colorful music, in a personal style which incorporated elements of Hindemith, Bartok and Stravinsky, won numerous international awards and several pieces were recorded (recently reissued by Composers Recordings Incorporated/CRI).

Always a loner and an individualist, Gutchë had no students, followed no particular ‘school’, and lived to compose, aided in many ways by Marion, his wife of 64 years.

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