Guillermo Graetzer

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(1870) Léo Delibes: Premiere of Coppélia, in Paris, France.
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(1930) George Antheil: Premiere of Transatlantic, in Frankfurt am Main, Germany.
(1938) William Schuman: Premiere of Symphony no. 2, in New York, USA.
(1961) Mario Castelnuovo Tedesco: Premiere of Il Mercante di Venezia, in Milan, Italy.

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Sheet music for Graetzer

[details ←] 3 Tocatas, piano,
[details ←] Brazilian Folk Songs And Dances - Score
[details ←] Folk Dances And Tunes From Argentina - Score
[details ←] Dances (161), piano,
[details ←] Musique Folklorique D’Amerique Latine Volume 1, recorder, percussion, guitar,
[details ←] Musique Folklorique D’Amerique Latine Volume 2, recorder, percussion, guitar,
[details ←] Musique Folklorique D’Amerique Latine Volume 3, recorder, percussion, guitar,
[details ←] Musique Folklorique D’Amerique Latine Volume 4, recorder, percussion, guitar,
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3 TOCATAS
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from: - - - - - GUILLERMO GRAETZER - PEERMUSIC CLASSICAL -


A Practical Guide to Solo Piano Music
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by: Trevor Barnard, Elizabeth Gutierrez

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  • Published by Meredith Music 160 Pages
  • by Trevor Barnard with Elizabeth Gutierrez
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The Cambridge History of Latin America (Volume 10)
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from: Cambridge University Press

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  • by Trevor Barnard with Elizabeth Gutierrez
  • Author: Trevor Barnard

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A Cultural History of Latin America: Literature, Music and the Visual Arts in the 19th and 20th Centuries (The Cambridge History of Latin)
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Buenos: Webster’s Timeline History, 1980 - 1983
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by: Icon Group International

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  • by Trevor Barnard with Elizabeth Gutierrez
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Buenos: Webster’s Timeline History, 1949 - 1956
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by: Icon Group International

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  • by Trevor Barnard with Elizabeth Gutierrez
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See also:
Austrian composers
Modern composers
Born: 5 September 1914 — Wien — Austria
Died: 22 January 1993 — Buenos Aires — Argentina
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Reactions
To a whole generation--a pioneer

Guillermo Graetzer's impact on my generation of young Jewish immigrants (with intellectual and artistic pretensions) is barely measurable. I remember his Sunday morning 'seminars' at the home of the pianist Jascha Galperin. I still have vivid memories of his detailed exposition of Mathis deer Mahler by Hindemith, with whom I believe Greatzer had studied. I must admit that presence of Jascha's daughter Lucy (a.k.a. Olga) had a magnetic effect on the attendance of the young mails, my own included. In any event, we all, and I believe my old friend Christophe Stegmann was part of the group, had our musical knowledge highly enhanced by Greatzer's articulate and interesting didactic effort.
In gratitude, Henry Raymont, Washington, D.C. (while listening to Hindemith's Mathis der Mahler (with Ormandy and the Philadelphia).

[by “Anonymous” on 2011-03-09 08:21:40]

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