Berthold Goldschmidt


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Upcoming concerts →

– Thu 24 Jul: DI ALTRI ASTRI for Sax alto and Piano (Premiere) Sala Colitto,Termoli,Italy
– Sat 26 Jul: Koorconcert, Tiramisu zomerkoor Lutherse Kerk, Maastricht, Netherlands
– Sun 27 Jul: Lines and Waves in Blue Deep for 5 accordions (wp) Tenri Cultural Institute, New York, USA
– Mon 28 Jul: Trio Stravinskij: contaminations from jazz, music-hall, cabaret and American folklore Astronomical Observatory, Loiano, Italy
– Tue 29 Jul: Trio Stravinskij: contaminations from jazz, music-hall, cabaret and American folklore Church in Piazza Giovanni XIII, Tolè di Vergato, Italy
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Composer news →

Fitkin to be Composer in Residence in London 16 Jun 2008
Composer Hay finds back score after 35 years 30 May 2008
Sibelius plaque unveiled in Berlin 24 Apr 2008
Lost Bach composition found back 22 Apr 2008
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Today → (24 Jul)

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Dying days:
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Events:
– (1964) Alberto Ginastera: Premiere of Don Rodrigo, in Buenos Aires, Argentina.
– (1938) Richard Strauss: Premiere of Friedenstag, in Munich, Germany.
– (1828) Nicoló Paganini: Premiere of violin concerto no. 3 in E major, in Vienna, Austria.

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Pierre Even (18 Jul)
Clara Schumann (17 Jul)
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István Anhalt (17 Jul)
Lowell Dijkstra (17 Jul)
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Hear My Prayer Choral FavouritesClassical Music : Hear My Prayer Choral Favourites
from: Polygram Records


Goldschmidt: Der gewaltige HahnreiClassical Music : Goldschmidt: Der gewaltige Hahnrei
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Born: 18 January 1903 — Hamburg — Germany
Died: 17 October 1996 — London — England
→ See also: German composers | Modern composers |
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Music



Goldschmidt was influenced by the purposeful polyphony of Busoni; his music often manifests a surprising affinity with that of Shostakovich which should be traced to their common heritage in Mahler.

Selected work list

Stage works

Orchestral Music

Chamber Music

Instrumental Music

Vocal Music

Life

Goldschmidt studied philosophy at Hamburg University and was encouraged by Busoni to become a composer. He entered the Berlin Hochschule in 1922 and became a member of Franz Schreker’s composition class (along with Krenek, Haba, Petyrek and Horenstein). He also studied conducting and played freelance in the Berlin Philharmonic; in 1923 coached the choir for the Berlin premiere of Schönberg’s ‘Gurrelieder’. Conducted in Dessau and with the Berlin Staatsoper; in 1925 was awarded the Mendelssohn State Prize for his orchestral Passacaglia, premiered by Erich Kleiber. From 1926 he was under contract to Universal Edition and was regarded as a leading light of the younger generation of composers; he also conducted widely, as far afield as Leningrad in 1931. German career climaxed in the premiere of his opera ‘Der gewaltige Hahnrei’ in Mannheim in 1932; after the Nazi seizure of power his livelihood disappeared. In 1935 a music-loving Gestapo officer strongly advised him to leave Germany at once; he emigrated to England and settled in Belsize Park, Hampstead. Worked for the BBC, becoming Music Director of its German Serive 1944-47. During the war 22 members of Goldschmidt’s family perished in Auschwitz and Belsen. British citizenship 1947, conducted at Glyndebourne, Edinburgh festival and all the BBC orchestras into the 1960s. His opera ‘Beatrice Cenci’ was a prize-winner in the 1951 Festival of Britain opera competition, but no production followed and by the late 1950s, owing to lack of interest in his music in Britain and in Germany, he gave up composition for 24 years. 1958-64, collaborated with Deryck Cooke on the complete performing version of Mahler’s Tenth Symphony. He conducted the world premiere of this ‘Cooke Version’ with the LSO in 1964. In 1982 broke his compositional silence to write a Clarinet Quartet for Gervase de Peyer, and thereafter resumed composing - mainly chamber music. A revival of interest in his work led to performances in the USA and Germany (he was guest of the 1986 Berliner Festwochen), recordings, new productions of his operas and the recovery of lost manuscripts.

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