Roberto Gerhard

See also: Spanish composers|Modern composers|

Born: 25 September 1896, Valls, Catalonia (Spain)
Died: 5 January 1970, Cambridge (England)

(this composer submitted by Malcolm MacDonald <macvalcompuserve.com>)
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Sheet music

Below is a selection of scores available at SheetMusicPlus.com
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[details ←] Dances from Don Quixote Piano,
[details ←] 6 Catalan Folksongs Voice/Keyboard Piano, Vocal, Organ,
[details ←] Dances from Don Quixote
[details ←] Albada, Interludi I Dansa
[details ←] Alegrias
[details ←] Cancionero De Pedrell Vocal, orchestra,
[details ←] Cantata
[details ←] Concerto for Piano and Strings Piano,
[details ←] Don Quixote (1950)
[details ←] Pedrelliana (En Memoria)
[details ←] Six Chansons Populaires Francaises Piano, Vocal,
[details ←] Symphony No. 1
[details ←] The Duenna Voice Score Vocal,
[details ←] Akond Of Swat For Voice And Percussion Vocal, Percussion,

Music

List of Works (selected)

Opera

Ballets

Other orchestral

Choral and vocal works

Chamber music

Solo instrumental

Also, many arrangements of Zarzuela material; incidental music for stage, television and film, some including electronic music; some independent electronic compositions including ‘Lament on the Death of a Bullfighter’ after Lorca.

Biography

Gerhard was born Robert Gerhard Ottenwaelder; his father was German-Swiss and his mother Alsatian, but he identified closely with the national traditions of Catalonia where he was born, balancing this against a profoundly international outlook. He studied piano with Granados and composition with Pedrell. After Pedrell’s death he sought to study with Falla, but was rebuffed - instead he became a pupil of Schoenberg in Vienna and Berlin. Returning to Barcelona in the late 1920s he campaigned for contemporary music and was principally responsible for organizing the 1936 ISCM Festival in Barcelona, where Berg’s Violin Concerto was premiered. He also invited Schoenberg to Barcelona, and it was while staying with Gerhard and his wife that Schoenberg composed the bulk of ‘Moses und Aron’.

During the Spanish Civil War Gerhard was identified with the Republican Government, of which his brother was a member. Shortly before the fall of Barcelona to Franco’s troops in 1939 he fled to Paris and then to England, where he was able to settle in Cambridge. He held no post at the University, however. During and after the war he supported himself principally by ballet, theatre and radio work, arranging and a little private teaching. From the early 1950s he began to experiment with electronic music. The successful premiere of the First Symphony at the 1955 ISCM Festival in Baden-Baden launched a late international celebrity; Gerhard was encouraged by William Glock, who became Controller of BBC Music, so in the last decade of his life Gerhard enjoyed many performances and critical acclaim while his music became steadily more radical.

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Roberto Gerhard: Symphony No. 4 ‘New York’; Violin ConcertoClassical Music : Roberto Gerhard: Symphony No. 4 ‘New York’; Violin Concerto
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Guitar RecitalClassical Music : Guitar Recital
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Summer ClassicsClassical Music : Summer Classics
from: RCA



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