Jakob Petelin Gallus (Handl)
Born: 1550, Reifnitz, Carniola (now Ribnica) (Slovenia)
Died: 18 July 1591, Prague (Bohemia (now Czech Republic))
pfaffenwinkel.de>)— Vast collection — No Restrictions — Own Your Music!
Sheet music
- SheetMusicPlus
- VirtualSheetMusic
Find more scores by Jakob Petelin Gallus
[details ←] Sadness Viola,
[details ←] Duo Seraphim Piano, Vocal, choral
[details ←] Pater Noster
[details ←] Ascendit Deus God Goes Up On High A Cappella Latin And English choral
[details ←] Alleluia Trumpet, Organ, Trombone,
[details ←] Three ( 3) Festive Pieces Trombone,
[details ←] Lobet den Herren, alle Heiden/Gelobet seist du, Jesu Christ choral
[details ←] Alleluia! In Your Resurrection Vocal, choral
[details ←] In nomine Jesu Piano, Vocal, choral
[details ←] Tribus Miraculis Ornatum Diem choral
[details ←] Alleluia, in Resurrectione tua, Christe choral
[details ←] Haec Est Dies choral
[details ←] Ich Bin Die Auferstehung
[details ←] Lord In Thy Resurrection choral
[details ←] Ecce concipies
[details ←] Ecce, quomodo moritur iustus
[details ←] Halleluja! In deiner Auferstehung
Music
His most notable work is the six part "Opus musicum", a collection of motets that would eventually cover the liturgical needs of the entire ecclesiastical year in 1577. The motet "O magnum mysterium" comes from the first volume (printed in 1586) which covers the period from the first Sunday of Advent to the Septuagesima. This motet for 8 voices gives evidence of Venetian influence in its use of the coro spezzato technique (= polychorality).
His wide-ranging, eclectic style blends archaism and modernity. He rarely used cantus firmus, preferring the then-new Venetian polychoral manner, yet he was equally conversant with earlier imitative techniques. Some of his chromatic transitions foreshadowed the breakup of modality; his five-voice motet "Mirabile mysterium" contains chromaticism worthy of Don Carlo Gesualdo. He enjoyed word painting in the style of the madrigal, yet he could write the simple "Ecce quomodo moritur justus" later used by G.F. Händel in his funeral anthem "The Ways of Zion Do Mourn".
Contribution by Jan Vavra <janvavra
tiscali.cz>.
In his collection of music published in Prague he uses Italian and Netherlands techniques with skilful use of counterpoint. Many of his polychoral pieces illustrate the influence of Willaert and Lassus.
Work:
- Opus Musicum (Collection of Masses and Mottets, published in Prague)
- Moralia, Harmoniae motslrd (Collection of madrigals, published in Prague)
Biography
German-Austrian composer known for his sacred music. A Cistercian monk, Gallus travelled in Bohemia, Moravia, and Silesia, went to Melk Abbey/Lower Austria. He was a member of the Viennese court chapel in 1574, and was choirmaster to the bishop of Olmutz (modern Olomouc, Czech Republic) in 1579-85.
Contribution by Jan Vavra <janvavra
tiscali.cz>.
Handl lived in Austria from around 1565 and in 1574/5 he sang in the Vienna Hofkapelle under Monte. After extensive travelling, he became choirmaster to the Bishop of Olomouc from ca. 1579 to 1585, and Kantor of St Jan na Brzehu, Prague from ca. 1586 to 1591.
Concerts
[You can submit announcements for concerts with music from Jakob Petelin Gallus.]
Events
[If you know of an event (date and year) for Jakob Petelin Gallus, then let me know, and I will add it.]

