Jakob Petelin Gallus (Handl)

See also: Slovenian composers|Renaissance composers|

Born: 1550, Reifnitz, Carniola (now Ribnica) (Slovenia)
Died: 18 July 1591, Prague (Bohemia (now Czech Republic))

(this composer submitted by Rainer Eichner <rainer.eichnerpfaffenwinkel.de>)
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Sheet music

Below is a selection of scores available at SheetMusicPlus.com
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[details ←] Exultate Justi in Domino choral
[details ←] Sadness Viola,
[details ←] Duo Seraphim Piano, Vocal, choral
[details ←] Pater Noster
[details ←] Ascendit Deus God Goes Up On High A Cappella Latin And English choral
[details ←] Alleluia Trumpet, Organ, Trombone,
[details ←] Three ( 3) Festive Pieces Trombone,
[details ←] Lobet den Herren, alle Heiden/Gelobet seist du, Jesu Christ choral
[details ←] Alleluia! In Your Resurrection Vocal, choral
[details ←] In nomine Jesu Piano, Vocal, choral
[details ←] Tribus Miraculis Ornatum Diem choral
[details ←] Alleluia, in Resurrectione tua, Christe choral
[details ←] Haec Est Dies choral
[details ←] Ich Bin Die Auferstehung
[details ←] Lord In Thy Resurrection choral
[details ←] Ecce concipies
[details ←] Ecce, quomodo moritur iustus
[details ←] Halleluja! In deiner Auferstehung

Music

His most notable work is the six part "Opus musicum", a collection of motets that would eventually cover the liturgical needs of the entire ecclesiastical year in 1577. The motet "O magnum mysterium" comes from the first volume (printed in 1586) which covers the period from the first Sunday of Advent to the Septuagesima. This motet for 8 voices gives evidence of Venetian influence in its use of the coro spezzato technique (= polychorality).

His wide-ranging, eclectic style blends archaism and modernity. He rarely used cantus firmus, preferring the then-new Venetian polychoral manner, yet he was equally conversant with earlier imitative techniques. Some of his chromatic transitions foreshadowed the breakup of modality; his five-voice motet "Mirabile mysterium" contains chromaticism worthy of Don Carlo Gesualdo. He enjoyed word painting in the style of the madrigal, yet he could write the simple "Ecce quomodo moritur justus" later used by G.F. Händel in his funeral anthem "The Ways of Zion Do Mourn".


Contribution by Jan Vavra <janvavratiscali.cz>.

In his collection of music published in Prague he uses Italian and Netherlands techniques with skilful use of counterpoint. Many of his polychoral pieces illustrate the influence of Willaert and Lassus.

Work:

Biography

German-Austrian composer known for his sacred music. A Cistercian monk, Gallus travelled in Bohemia, Moravia, and Silesia, went to Melk Abbey/Lower Austria. He was a member of the Viennese court chapel in 1574, and was choirmaster to the bishop of Olmutz (modern Olomouc, Czech Republic) in 1579-85.


Contribution by Jan Vavra <janvavratiscali.cz>.

Handl lived in Austria from around 1565 and in 1574/5 he sang in the Vienna Hofkapelle under Monte. After extensive travelling, he became choirmaster to the Bishop of Olomouc from ca. 1579 to 1585, and Kantor of St Jan na Brzehu, Prague from ca. 1586 to 1591.

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– Sat 17 May: 2nd Symphony Lobgesang Alcobaça, Portugal
– Sat 17 May: Second Symphony: Lobgesang Alcobaça, Portugal
– Sun 18 May: El Nino Kennedy Center Concert Hall, Washington DC, USA
– Sun 18 May: 2nd Symphony Lobgesang Aual Magna, Lisbon, Portugal
– Sun 18 May: Second Symphony: Lobgesang Aual Magna, Lisbon, Portugal
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– (2005) Vincent Ghadimi: Premiere of the opera " Decamero lala" for Orchestra and children choir, in the "Palais des Beaux-Arts", Brussels, Belgium, conducted by the composer. (Songs with piano version edited by lantromusic, including a book with pictures for children).
– (1958) John Cage: Premiere of Concerto for Piano and Orchestra, in New York, USA.
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