Hans Gál

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Grétry work rediscovered posted 6 Jan 2012
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Sun 5 Feb: The Westchester Camerata Chamber Orchestra Westchester Community College 75 Grasslands Road Valhalla, New York 10595
Sun 5 Feb: 2 NOCTURNES and NOSTALGIA In den Wouwfluit, Omgang 10, Wouw, Nederland
Sun 12 Feb: IN DEEP SILENCE II Kasteel Cortewalle, Beveren, België
Tue 14 Feb: MEDEA for music theatre Stadsschouwburg, Leidseplein 26, Amsterdam, Nederland
Thu 16 Feb: MEDEA for music theatre NTGent, Sint Baafsplein 17, Gent, België
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(1958) Bohuslav Martinů: Premiere of Estampes, in Louisville, USA.
(1990) Ennio Morricone: Premiere of Cantata per l'Europa, in Rome, Italy,

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Walter Leigh (4 Nov)
Gina Biver (19 Oct)

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Classical Sheet Music and MP3 accompaniment: download instantly at Virtual Sheet Music®
Picture of Hans Gál.
(sent by Anthony Fox)

Sheet music for Gál

[details ←] 3 Intermezzi, Op. 103 (Flute / Piano / Harpsichord / Treble Recorder), piano, harpsichord, recorder, flute,
[details ←] Sonata, Op. 84 (Clarinet / Piano), clarinet, piano,
[details ←] Sonata op. 85, piano, oboe,
[details ←] Drei kleine Stucke op. 64, piano,
[details ←] Preludes, 24, Book 2, Piano, piano,
[details ←] Three Preludes Op. 65
[details ←] Preludes, 24, Book 1, Piano, piano,
[details ←] Trio in F Op97 String Chamber
[details ←] Three Intermezzi, Op. 103 - Score and parts, piano, organ, harpsichord, recorder,
[details ←] Divertimento, Op. 98, recorder,
[details ←] Promenade Music Band Set
[details ←] Anleitung Zur Partiturlesen
[details ←] Quartettino, 4 Recorders, recorder,
[details ←] Divertimento, Op 98 - Score, recorder,
[details ←] 3 Sonatinen op. 71/1-3, violin, piano,
[details ←] 4 britische Volkslieder, choral, vocal,
[details ←] 4 britische Volkslieder, choral, vocal,
[details ←] 4 britische Volkslieder, choral, vocal,
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British Recorder Concertos
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Cybele Records: SACD-Sampler & Catalogue 2004 [Hybrid SACD]
Classical Music : Cybele Records: SACD-Sampler & Catalogue 2004 [Hybrid SACD]
from: Cybele


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Gal: Violin Concerto
Classical Music : Gal: Violin Concerto
from: Avie


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Born: 5 August 1890 — Brunn — Austro-Hungarian Empire
Died: 3 October 1987 — Edinburgh — Scotland
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Reactions
Birthbplace if Hans Gál

The place HG was born äctually is called "Brunn am Gebirge"..Just "Brunn" is a ambidgous, since there are quite a couple of (parts of) communities in Austria with that name. Brunn am Gebirge is close to Vienna and this place even once used to be incorporated as part of the community of Vienna (but only when HG already was in Scotland)..

[by “Anonymous” on 2011-02-04 08:49:41]

Music

Gál composed in virtually every form, from operas to piano pieces. Although the basis of his style is traditional Austro-German (post-Brahmsian) tonality, he was guardedly open to 20th-century developments and in his mature works appears, as he is, a distinct contemporary of such composers as Korngold, Weigl and Zemlinsky, with post-Romantic and neo-classical features. Gál on composing: “One ought to take it for granted that musical creation must proceed from genuine feeling. It’s better not to compose lies, if only because it takes so many notes. And I can’t understand how so much music can be written to suit some passing fashion: that can only be deliberate suicide.”

Life

Perhaps better-known as a musicologist than a composer, though he had a successful career in both professions, Gál was the son of a doctor and brother of the opera singer Erma Gál; a fellow-pupil at school was Erich Kleiber. He studied with Guido Adler and Brahms’s protege Eusebius Mandyczewski at Vienna University (1908–13) and after war service he taught there (1919–1929). While still a student he edited works of Johann Strauss (both I and II) and for his doctoral thesis wrote a book on Beethoven’s early style which was later published. With Mandyczewski, he was co-editor of the first Complete Brahms Edition published in the 1920s. He went on to become director of the Conservatoire in Mainz; driven from there by the Nazis in 1933 he became conductor of the Vienna Bach Choir. After the Anschluss he fled to Edinburgh, where Sir Donald Tovey appointed him a lecturer at the University. Apart from a brief period of internment as an “enemy alien” on the Isle of Man during World War II, he lived and taught in Edinburgh until his death at the advanced age of 97. Capaciously learned in what seemed the entire repertoire, he appeared capable of playing absolutely anything, impromptu, from memory. In addition to his compositions he wrote a number of books, including popular but scholarly studies of Brahms and Schubert.

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