Heinrich Wilhelm Ernst

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(1893) Giuseppe Verdi: Premiere of Falstaff, in Milan, Italy.
(1940) Bohuslav Martinů: Premiere of the double concert for 2 string orchestras, piano and percussion, in Basel, Switzerland.
(1980) Mauricio Kagel: Premiere of Die Erschöpfung der Welt, in Stuttgart, Germany.
(1992) Wolfgang Rihm: Premiere of Die Eroberung von Mexiko, in Hamburg, Germany.
(1993) Peter Wallin: First performances of "Good Eeeevening!!!" and "Dägä Dägä" (version for 2 female soloists). Text by M.A. Numminen (Dägä).

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Sheet music for Ernst

[details ←] Concerto for Violin in F-sharp minor, Op. 23 - solo part, violin, percussion,
[details ←] Concerto for Violin in F-sharp minor, Op. 23 - set of parts, violin, percussion,
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Schubert: Complete Violin Works / Octet
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Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski
Classical Music : Aaron Rosand Plays Joachim, Hubay, Enesco, Ernst, Godard, Lehar, Ysaye, & Wieniawski
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Instrument of the Devil
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See also:
Czech composers
Romantic composers
Moravian composers
Born: 6 May 1814 — Brno — Czech Republic
Died: 8 October 1865 — Nice — France
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Music

Grand Caprices for Schubert’s "Der Erlkönig" for violin solo.

Life

The violinist and composer Heinrich Wilhelm Ernst was born in Brno in 1814 and after early study and appearances in his native city entered the Vienna Conservatory in 1825 as a pupil of Joseph Böhm, whose pupils were to include Joseph Joachim and Brahms’s early collaborator, Ede Reményi.

He took composition lessons with Ignaz von Seyfried, who had been a piano pupil of Mozart and a composition pupil of Albrechtsberger and Winter. In 1828 he heard Paganini in Vienna and soon abandoned his studies, after disciplinary action against him for unauthorised absence. Setting out on a concert tour, he made his way to Paris, where he was able to hear more of Paganini, whose unpublished compositions he played by ear, in 1837 anticipating Paganini’s arrival in Marseille by giving his own concert there.

He visited London in 1843 and settled there in the 1850s. He continued to appear throughout Europe until about 1857, when he turned his attention rather to chamber music, collaborating from 1859 with Joachim, Wienawski and Piatti in the Beethoven Quartet Society. In 1864 he retired to Nice, to find some relief from gout, and died there the following year.

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