Paul Dupin

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Born: 14 August 1865 — Roubaix — France
Died: 6 March 1949 — Paris — France
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Another award for Van der Aa posted 29 Mar 2013
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Upcoming concerts →

Sat 1 Jun: Action Painting: The Edges of Sound Baruch Performing Arts Center
Sat 8 Jun: Symphony No 5 St Johns, Smith Sq, London, SW1P 3HA
Fri 14 Jun: Day of Wrath "The Revelation"- concert in Bucharest Cinema Patria, Bulevardul Magheru 12-14, Bucuresti, Romania
Sat 15 Jun: A North East Choral Garland The Ave, Washington, Tyne and Wear NE38 7LE
Sat 15 Jun: Viva Vivaldi! Bristol Cathedral College Green Bristol
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Today → (21 May) rss

Birthdays:
Dying days:
Events:
(1925) Ferruccio Benvenuto Busoni: Premiere of Doktor Faust, in Dresden, Germany.
(1948) Jean Françaix: Premiere of Les Demoiselles de la Nuit, in Paris, France.
(1986) Harrison Birtwistle: Premiere of The Mask of Orpheus, in London, England.

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Karl Davydov (16 May)

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Classical Sheet Music and MP3 accompaniment: download instantly at Virtual Sheet Music®

Sheet music for Dupin

[details ←] 3eme Concerto Brandebourgeois, percussion,
[details ←] Variations Sur La Traviata De Verdi, violin, piano,
[details ←] Gyspy Life
[details ←] The Coquette, piano,
[details ←] The Gaucho
[details ←] 17 Etudes, percussion,
[details ←] 28 Miniatures, percussion,
[details ←] 28 Miniatures Caisse Claire Volume 2, percussion,
[details ←] 7 Moments Musicaux Volume 1: Petite Marche et Bouboula, piano, percussion,
[details ←] 7 Moments Musicaux Volume 2: 5eme Avenue et Bourree, piano, percussion,
[details ←] 7 Moments Musicaux Volume 3: Valse, piano, percussion,
[details ←] 7 Moments Musicaux Volume 4: Carnaval, piano, percussion,
[details ←] 7 Moments Musicaux Volume 5: Granada, piano, percussion,
[details ←] 7 Pieces Volume 1 (Pata-Caisse-Drolerie), piano, percussion,
[details ←] 7 Pieces Volume 2 (Tarastata-Danse), piano, percussion,
[details ←] 7 Pieces Volume 3 (Rapsodie-Ptite Ecossaise), piano, percussion,
[details ←] 7 Pieces Volume 4 (Varietes), piano, percussion,
[details ←] Aaron, piano, percussion,
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Cds for Dupin

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Hector Berlioz: Symphonie Fantastique AND Lelio, ou Le Retour a la Vie [Nicolai Gedda, Charles Burles, Jean van Gorp, Jean Topart, Orchestre et Choeurs National de la Radiodiffusion Francaise, Orchestre National de l’O.R.T.F.; Jean Martinon, conductor]

from: EMI Classics

Classical Music : Hector Berlioz: Symphonie Fantastique AND Lelio, ou Le Retour a la Vie [Nicolai Gedda, Charles Burles, Jean van Gorp, Jean Topart, Orchestre et Choeurs National de la Radiodiffusion Francaise, Orchestre National de l’O.R.T.F.; Jean Martinon, conductor]








Binding: Audio CD
EAN: 0066886273921
Label: EMI Classics
Languages: FrenchUnknown
Manufacturer: EMI Classics
Number Of Discs: 2
Publication Date: 1989
Publisher: EMI Classics
Running Time: 108 minutes
Studio: EMI Classics




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Editorial Review:

Product Description:
On EMI 67239; 2 CD's; Berlioz regarded the Symphonie Fantastique and Lélio as a pair, but whereas both are strange and certainly original works for their time, the structure of the Symphonie is masterly as well as unique, whereas Lélio is controversial, to say the least, with its mix of spoken narration and music for soloists, chorus and orchestra, including a Goethe ballad for tenor and piano. On this set, first comes a truly outstanding version of the Symphonie Fantastique. Martinon includes the first movement exposition repeat, and he also provides the extra brass parts, sometimes omitted. The reading is full of neurotic undertones, even in the waltz, yet it never loses control and its impetuousness is very convincing, especially in the opening movement and the "Scene au champs", which is phrased most seductively. The "Marche au supplice" is full of power and menace, and the finale has a wild flamboyance that is highly compulsive-the bell strokes are made to seem like the very knell of doom. The sound is remarkably vivid and this performance can certainly be counted among the really outstanding versions of an elusive work. When it comes to "Lelio," Martinon is equally persuasive and magnificent. The narration, a key element of the piece, is splendidly recited by the noted French actor Jean Topart. Besides using the idée fixe from the Symphonie, Berlioz drew on newly composed music to illustrate the speaker's soliloquy and obsessions, including a brigand's song and a fantasy on Shakespeare's "The Tempest." The performance has plenty of life and style, and is well sung by Charles Burles, Nicolai Gedda, and Jean Van Gorp. As well, the recording of both pieces is suitably atmospheric. There is no question that this set makes for a superlative representation of the pair of works as Berlioz wanted them performed.



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