Heinrich (Ludwig Egmont) Dorn

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(1870) Léo Delibes: Premiere of Coppélia, in Paris, France.
(1919) George Enescu: Premiere of Symphony no. 3, in Bucarest, Romania.
(1930) George Antheil: Premiere of Transatlantic, in Frankfurt am Main, Germany.
(1938) William Schuman: Premiere of Symphony no. 2, in New York, USA.
(1961) Mario Castelnuovo Tedesco: Premiere of Il Mercante di Venezia, in Milan, Italy.

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Sheet music for Dorn

[details ←] Lord, Hear Our Prayer
[details ←] Thank You, Lord, for Everything
[details ←] The Beatitudes, SATB, choral, vocal,
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See also:
German composers
Romantic composers
Conductors
Born: 14 November 1804 — Königsberg — Germany
Died: 10 January 1892 — Berlin — Germany
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Music

His works include a number of operas: Die Rolands-knappen (1826 opera), Der Zauberer (1827), Die Bettlerin (1828), and Abu Kara (1831), to name but a few. His best known opera is probably Die Nibelungen (1854). Dorn also composed symphonies, cantatas, operettas, and some church music.

Life

Dorn was a student of law at Konigsberg in 1823, but was more interested in a music career and went to Berlin to study under L. Berger, Zelter, and B. Klein (piano). For a while, he taught in Frankfort, becoming Kapellmeister of the Konigsberg Theatre in 1828. He met young Wagner in Leipzig in or about 1829. Later, as music director of St. Peter’s in Riga, Dorn became an outspoken critic of Wagner. For many years, he participated in music festivals as organizer and conductor. In 1845, Dorn founded the Rheinische Musikschule, which later became known as the Cologne Conservatory. He wrote many articles on musical criticism, became the music editor for the Berliner Post and other publications. His autobiography, Aus meinem Leben is in 6 parts and was published in 1879. Dorn further developed a reputation in his musical criticism for being a champion of the music of Anton Bruckner.

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