Thomas Demenga



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Toshio Hosokawa: In die Tiefe der Zeit; Duo for Violin and Cello; Winter Bird.(Sound Recording Review) (sound recording review): An article from: Sensible Sound

from: Sensible Sound

Books : Toshio Hosokawa: In die Tiefe der Zeit; Duo for Violin and Cello; Winter Bird.(Sound Recording Review) (sound recording review): An article from: Sensible Sound
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Binding: Digital
Format: HTML
Label: Sensible Sound
Manufacturer: Sensible Sound
Number Of Pages: 2
Publication Date: April 01, 2003
Publisher: Sensible Sound
Release Date: July 31, 2005
Studio: Sensible Sound




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Product Description:
This digital document is an article from Sensible Sound, published by Sensible Sound on April 1, 2003. The length of the article is 480 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Toshio Hosokawa: In die Tiefe der Zeit; Duo for Violin and Cello; Winter Bird.(Sound Recording Review) (sound recording review)
Publication: Sensible Sound (Magazine/Journal)
Date: April 1, 2003
Publisher: Sensible Sound
Page: 63(1)

Article Type: Sound Recording Review

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See also:
Swiss composers
Modern composers
Cellists
Born: 1954 — Bern — Switzerland
Died:
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Life

Studied with Walter Grimmer, Antonio Janigro, Leonard Rose and Mstislav Rostropovich. Played as a solo-cellist with Berliner Sinfonie-Orchester, Berner Symphonie Orchester, Boston Symphony Orchestra, Camerata Bern, Junge Deutsche Philharmonie, Kammerorchester Basel, L’Orchestre de Chambre de Lausanne, L’Orchestre de la Suisse Romande, Nieuw Ensemble Amsterdam, ORF-Symphonieorchester Wien, Sinfonieorchester Basel, Sinfonietta Basel, Tonhalle-Orchester Zürich, Westdeutsches Rundfunk Symphonie-Orchester und Zürcher Kammerorchester.

In 1991 he was awarded at the «Tribune Internationale des Compositeurs» in Paris with the first prize for his composition «solo per due».

Im August 2000 he was «composer in residence» at the Davos Festival «young artists in concert» and following this he was the artistic leader of this festival.

At the Lucerne Festival in the summer of 2003 he was «artiste étoile» as a successor of Sabine Meyer (2000), Anne-Sophie Mutter (2001) und Alfred Brendel (2002).

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