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2008

• Ben Boulaïd: Film music, for symphony orchestra (approximately 55 mn) Scenario: Sadek Bakhouche, Realization: Ahmed Rachedi. Production: Ministry for Moudjahidines and Mycene Balkis Films.
• Dance of the Blue Man: Dance for symphonic orchestra. (5 mn) Comissioned by Algerian National symphony orchestra for the Algerian National Ballet. Dedicated to the memory of “Othmane Bali”.
• Bent Essahra (The Girl off the Sahara): Dance for symphonic full orchestra. (3 mn) Comissioned by Algerian National symphony orchestra for the Algerian National Ballet. Dedicated to the Cheikh “Khelifi Ahmed”.
• Hamlet Without Hamlet: Musical composition for the theatrical part “Hamlet Bila Hamlet”: Text of the Iraqi poet: Khaza’ Al Al Majidi, Realisation: Kamal Attouche, Scenography: Hamza Djaballah. Comissioned by troop “Al Nawaris” of Bougara — Blida.
• Oughniyatou Houb (Love Song): for string orchestra. (7 mn 30) Comissioned by Conservatory “Gueseppe Verdi” of Turin in Italy. Dedicated to the Italian violonist “Giacomo Agazzini”.
• Revolution: for Band. (5 mn) Comissioned by Algerian Republican Guard. In homage to the Martyrs of Sakiet-Sidi-Youcef (February 8, 1958)

2007

• Freedom Dance: Nekriz Sirto for string orchestra. (4 mn 45 ') Dedicated to my friend “Djamel Benyahiya”.
• Ashwaq (Passions): Samaï Nahawound for symphony orchestra. (9 mn) Comissioned by Arab Youth Philharmonic Orchestra. Dedicated to “Marcel Khalife”.
• Lounga Nahawound (Orchestral Version): for symphony orchestra. (7 mn) Comissioned by Algerian National symphony orchestra.

2006

• Fantasia on an Andalusian Air: for flute and orchestra. (8 mn) Comissioned by Algerian National symphony orchestra. Dedicated to the memory of the Sheik “Ray Malek”.
• Waslat al Ashwaq: Traditional Arab suite for traditional orchestra, songs solo and chorus. (60 mn).
• Samaï Rahat al Arwah: for Arab traditional orchestra. (6 mn).
• Amusette: for violin and piano. (4 mn)
• Ya Qalbi (Andalusian Inspiration): for formation jazz: 2 guitars, double bass, song and oud. (7 mn).
• History of the Mountain of Olivier (Octuor Version): guitar solo, flute, oboe, clarinet, bassoon, violin, viola and violoncello. (5 mn 15).

2005

• The Mediterranean Ballade (Orchestral Version): for guitar and symphony orchestra. (7 mn 30)
• Taqsim Nahawound: for guitar solo. (6 mn)
• Lounga Nahawond: for violin, guitar, oud and riq (arab percussion). (6 mn) Dedicated to the memory of my father “Mohamed Younes”.
• Samaï Nahawound: for ney, qanoun, oud, riq and string orchestra. (7 mn)
• Le Chemin du Retour: for guitar solo. (4 mn)

2004

• En Souvenir de Bach: Invention for harpsichord. (1 mn 20)
• Souvenirs d’Enfance (Orchestral Version): for symphony orchestra. (7 mn) Dedicated to my friends of childhood of Hassi R’ mel.
• History of the Mountain of Olivier: for guitar solo. (3 mn 45) Dedicated to my wife “Karima”
• Nostalgia: Waltz for guitar solo. (3 mn 15)
• Mini Operetta-Ballet: for mixed choral children, songs solo and symphony orchestra. (18 mn) Poetry: Lalmi Hadbaoui. 2nd Price with the 9° National Festival of the School Song - Souf Wadi

2003

• Souvenirs d’Enfance: for piano. (4 mn 30) Selection with CD “ACM 2003”: work of the “Workshops of Musical creations” — Paris.

2001

• Good Mood: for piano. (2 mn 50) Selection with CD “ACM 2004”: work of the “Workshops of Musical creations” — Paris.
• Roulette: for guitar folk solo. (1 mn 30) Dedicated to the memory of “Marcel Dadi”
• Hommage to J.S. Bach: for guitar solo.
• Gharnata (Granada): for duet guitar. (6 mn)
• A Nap of Summer: for formation jazz: sax & coppers, vibraphone, guitar, double bass and battery.
• Khoumsa: for duet guitar.

2000

• Mal Entendue: for guitar, oud, violin and double bass.
• Tenderness: for guitar solo. (1 mn 50) Dedicated to “Karima”
• I am Happy: for duet guitar. Dedicated to my sister “Naziha”

1999

• Chôros: for guitar solo.
• Chôros for My Fiancee: for guitar solo.
• The Mediterranean Ballade: for guitar solo.
• The Lie: for duet guitar.
• Three Parts for Guitar Solo: Hesitation, Lullaby, Tornado

1998

• The Dream: for duet guitar.
• Landscape: for duet guitar.
• Dhikra (To remember): for violin and guitar.
• Marriage: for guitar solo.
• Psychedelique: for violin and guitar.

http://www.salimdada.com/spip.php?rubrique2

Born in Laghouat in the Algerian Sahara. Painter as of his young age, it is only at age the 18 years that Salim Dada acquires these first concepts of music with the guitarist Ali Gourine, to carry out after and during 10 years a course of autodidact, where it improves his technique of classical guitar, studies the Western and Eastern theory as well as the harmony. For this period it presented these first compositions for guitar solo and duet as well as whole with violin and oud. Between 2002 and 2005 it thorough the cycle of the musical writing (harmony, counterpoint and analyze) with the composer Jean-Luc Kuczynski at the school “Polyphonies” of France and with the academician Golnara Bouyagoub at the Higher National institute of the Music of Algiers. In this period it obtains also its Doctorate of the Medical Faculty of Algiers.

Salim Dada is the author of several symphonic compositions, part and chamber music for guitar, also for polyphonic choral societies and whole of jazz. It also carries a great interest to the film music, the ballet and the theatre.

In 2007 and for the first time in Algeria, Salim Dada was appointed “Type-setter in Residence” near the Algerian National Symphony orchestra, with which it created several new compositions.

The compositions of Salim Dada were preceded in several Contests and Festivals national and international. They were played and commissioned by various ensembles and orchestras: the Algerian National Symphony orchestra, the Algerian Republican Guard, the Orchestra of the Young Musicians of Algiers, the Symphony orchestra of Cairo, the Arab Youth Philharmonic Orchestra, the Euro-Mediterranean Orchestra, the Baby Orchestrated Academy of Torino, the Italian Ensemble “Conductus”…

Apart from the composition, Salim Dada shares its love and its knowledge of the music by the teaching of the modules of the Musical Writing (Harmony, Contrepoint and Polyphony) at the institutes of music of Algiers and our, as well as the teaching of the classical guitar. It also ensures the direction and the framing of the orchestras of traditional musics, where it plays old instruments such as the oud, kwitra and the percussions.

It also publishes and in a periodic way of the articles of musical analysis and artistic criticism.

The music of Salim Dada was considered in Europe as a “Bridge” which connect the Occident to the East, and a message of peace and of dialogue of the Islamic world towards Europe.

http://www.salimdada.com/spip.php?article2

• http://www.salimdada.com/
• http://polyphonies.celeonet.fr/lemensuel/article.php3?id_article=298
• http://ricerca.quotidianiespresso.it/altoadige/archivio/altoadige/2008/10/18/A1TPO_A1T99.html
• http://www.salimdada.com/spip.php?rubrique3&debut_rubrique_breves=7#pagination_rubrique_breves
• http://polyphonies.celeonet.fr/lemensuel/article.php3?id_article=205
• http://www.aypo-2006.com/Btn2_en.htm
• http://www.larouchepub.com/eiw/public/2007/2007_30-39/2007_30-39/2007-33/pdf/47_732.pdf
• http://polyphonies.celeonet.fr/lemensuel/article.php3?id_article=183