Catterino Cavos

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Cds for Cavos

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The Golden Age of Russian Guitar, Vol. 2

by: Oleg Timofeyev

Classical Music : The Golden Age of Russian Guitar, Vol. 2
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Binding: Audio CD
EAN: 0053479320322
Item Dimensions: 23
Label: Dorian Recordings
Manufacturer: Dorian Recordings
Number Of Discs: 1
Publisher: Dorian Recordings
Release Date: May 16, 2000
Studio: Dorian Recordings




Disc 1:
  1. Ovchinnikov: Pno Melancholy Sound
  2. Kushenov-Dmitrievsky: Cosaque
  3. Sychra: Divertissement Sur Des Airs Russes
  4. The National Guard: Cavos-Sychra: 'My Dear Friend'
  5. Gornostaev: Caprice Militaire
  6. Ladyzhensky: Grande Fantaisie
  7. Ladyzhensky: Valse
  8. Vetrov: Elegy
  9. Vetrov: You Won't Believe
  10. Liakhov: I'll Go Scythe The Grass
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See also:
Italian composers
Romantic composers
Conductors
Born: 30 October 1775 — Venezia — Italy
Died: 10 May 1840 — St. Petersburg — Russia
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Music

Introduction:
Cavos features in Russian musical history as the man who composed an opera ‘Ivan Susanin’ before Glinka.

Works:
Cavos wrote numerous opera’s, ballets, and various orchestral pieces. His opera’s Ilya the hero (1806), Ivan Susanin (1815), The Firebird (1823) earned a public succes in their time. The Cossack as Poet, a one-act vaudeville (1812), remained in the repertory till 1852. Some of his ballets were performed abroad.

Life

(His death date on the Russian calender is 28 April 1840.)

Born in Venice, Cavos was trained as a musician in his home city. At the insistence of a fellow townsman, who had settled in Petersburg two years earlier, he accepted a post as master of the Imperial Chapel in 1798. His career in Petersburg was very successful. He became conductor of the Russian opera in 1806 and later (1832) musical director. He taught music and singing at various schools (there were no professional musical conservatories in Russia at that time).

Cavos acquainted the Russian public with the opera’s of Cherubini, Méhul, Weber, and others. He conducted the first performance of Glinka’s "Ivan Susanin" in 1836, twenty years after the first performance of his own opera on the same libretto (though with a different ending). Cavos generously admitted that Glinka’s work was musically superior.

Literature:
R. Aloys Mooser, Un Musicista Veneziano in Russia: Catterino Cavos (1775-1840), Nuova Rivista Musicale Italiana III/1 (1969)13-23.

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