Antonio Bazzini

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(1813) Gioachino [Gioacchino] Rossini: Premiere of L'Italiana in Algeri, in Venice, Italy.
(1931) Albert Roussel: Premiere of Bacchus et Ariana, in Paris, France.
(1935) Werner Egk: Premiere of Die Zaubergeige, in Frankfurt am Main, Germany.
(1950) Richard Strauss: Premiere of Vier Letzte Lieder, in London, England.
(1960) Hans Werner Henze: Premiere of Der Prinz von Homburg, in Hamburg, Germany.

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Classical Sheet Music and MP3 accompaniment: download instantly at Virtual Sheet Music®
Picture of Antonio Bazzini.
(sent by C.A. Rojas)

Sheet music for Bazzini

[details ←] Masterpieces for Violin, violin, piano,
[details ←] La Ronde des Lutins (Dance of the Goblins), Op. 25 (FRANCESCATTI), violin, piano,
[details ←] La Ronde Des Lutins - Scherzo Fantastique, Opus 25, violin, piano,
[details ←] Graded Course of Violin Playing-Bk. 8-Virtuoso, violin,
[details ←] Ronde Des Lutins, piano, flute,
[details ←] Ronde Des Lutins, piano,
[details ←] Ronde Des Lutins, Alto saxophone, piano, sax, saxophone,
[details ←] La Ronde Des Lutins, violin, piano,
[details ←] La Ronde Des Lutins
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Encounters with Verdi
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from: Cornell University Press


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The Complete Operas Of Puccini (Da Capo Paperback)
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Famous Violinists of Today and Yesterday
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An Encyclopedia Of The Violin (Da Capo Press Paperback)
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The Operas of Puccini (Cornell Paperbacks)
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Madame Butterfly: Japonisme, Puccini, and the Search for the Real Cho-Cho-San
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See also:
Italian composers
Romantic composers
Born: 11 March 1818 — Brescia — Italy
Died: 10 February 1897 — Milano — Italy
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Music

Tre pezzi in forma di sonata op. 44 per violino e pianoforte. La Ronde des lutins op. 25 per violino e pianoforte.

Life

Encouraged by Paganini, Bazzini began his concert career at an early age and became one of the most highly regarded artist of his time. He was much admired by Schumann and Mendelssohn.

He toured Spain, Denmark, France, Germany.

Returning to Brescia, he devoted himself to composition, abandoning the virtuoso opera fantasias and character-pieces (such as "La ronde des lutins" or "Le muletier").

In 1873 he became composition professor at the Milan Conservatory and, in 1882, its director.

Among his pupils there were Catalani, Mascagni and Puccini.

Sources — links

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