Tre pezzi in forma di sonata op. 44 per violino e pianoforte. La Ronde des lutins op. 25 per violino e pianoforte.
He toured Spain, Denmark, France, Germany.
Returning to Brescia, he devoted himself to composition, abandoning the virtuoso opera fantasias and character-pieces (such as "La ronde des lutins" or "Le muletier").
In 1873 he became composition professor at the Milan Conservatory and, in 1882, its director.