Daniel-François-Esprit Auber
Born: 29 January 1782, Caen (France)
Died: 12 May 1871, Paris (France)
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Sheet music
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Find more scores by Daniel-François-Esprit Auber
[details ←] Acteon: Overture - full score Percussion,
[details ←] Marco Spada: Overture - full score Percussion,
[details ←] Black Domino Overture
[details ←] La Muette de Portici
[details ←] Concerto for Violin in D - full score Violin,
[details ←] Concerto for Violin in D - solo part Violin,
[details ←] Fra Diavolo: Overture (extra condensed score) ,concert band,
[details ←] Fra Diavolo: Overture - full score Percussion,
[details ←] L’Enfant Prodigue: Overture - full score Percussion,
[details ←] La Muette de Portici (Masaniello): Overture - full score Percussion,
[details ←] Les Diamants de la Couronne: Overture The Crown Diamonds: Overture - full score Percussion,
[details ←] The Crown Diamonds Overture [Les Diamants de la Couronne: Ouverture] (extra condensed score) ,concert band,
[details ←] Acteon: Overture - set of parts Percussion,
[details ←] Concerto for Violin in D - set of parts Violin,
[details ←] Fra Diavolo - set of parts Percussion,
[details ←] Fra Diavolo - vocal score Vocal, Percussion,
[details ←] Fra Diavolo: Je vois marcher sous ma banniere (tenor) - set of parts
Music
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Biography
Auber was almost exclusively an operatic composer, and gained unique popularity in this field. His operas were performed in all theaters and he acquired the nickname "Prince of Comic Opera". He was a genuinely Parisian composer. In his music he is unerringly elegant and witty, clear and cultivated. Today his fame rests chiefly on his dashing and sparkling overtures, and two operas, Masaniello, also known as La Muette de Portici (The Dumb Girl of Portici), and Fra Diavolo. The former work is more serious than the remainder of his enormous output. From 1842 Auber was director of the Paris Conservatory, and during the Second Empire he was court conductor. His music is marked by fiery rhythms and it is said that the revolutionary spirit and exhilarating music of Masaniello, when it was performed in Brussels in 1839, signaled the revolution which brought about Belgium´s separation from Holland.
(Contribution by Raúl Izaguirre Avila <rizagui
yahoo.com>.)
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